Kerry Politzer - Ruminations (2024)

Pianist Kerry Politzer's eighth album, Ruminations, is more than just a collection of songs; it's a tapestry woven from the threads of experience. Politzer, a graduate of the prestigious New England Conservatory, brings a depth of knowledge and emotional intelligence to her work, evident in both the selection and execution of her compositions.

The album unfolds like a personal scrapbook. "Hay Ride" evokes a bucolic past, its playful melody reminiscent of childhood summers spent in Maryland. This sense of remembrance continues with "Cudgel," a poignant tribute to Politzer's composition mentor and free-jazz pioneer Jimmy Giuffre. Here, Politzer's piano dances with echoes of Giuffre's iconoclastic spirit, a testament to the enduring influence of artistic lineage.

But Ruminations is not solely a celebration of the past. Tracks like "Persistent Memory" and "Saída" delve into more introspective territory. Politzer's use of dissonance and shifting tempos creates a sense of unease, mirroring the complexities of navigating difficult emotions. These introspective moments are balanced by the ethereal beauty of "Faraway Dreams" and the gentle acceptance of "Letting Go."

The title track, "Ruminations," serves as a summation of the album's journey. It's a piece that lingers, a meditation on the cyclical nature of memory and the human condition.

Politzer is ably supported by a stellar band. Drummer George Colligan provides a nuanced foundation, while saxophonist Tim Willcox and bassist Garrett Baxter weave their own narratives around the piano's central voice. The interplay between these musicians is a masterclass in collaborative improvisation, creating a dynamic and cohesive listening experience.

Ruminations is a testament to the enduring power of the piano as a vessel for personal expression. Politzer's compositions are both technically sophisticated and emotionally resonant, offering listeners a glimpse into her artistic world. This is an album that rewards repeat listens, a reminder that the most profound music often emerges from the depths of self-reflection.