Lenny Lorenzani, David Boldrini - Cilea: Songs & Piano Music (2024) [Hi-Res]

  • 23 Jul, 19:28
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Title: Cilea: Songs & Piano Music
Year Of Release: 2024
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
Total Time: 00:42:55
Total Size: 196 / 378 mb
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Tracklist

01. Cilea Romanza
02. Cilea Il mio canto
03. Cilea Alba novella
04. Cilea Nel ridestarmi
05. Cilea Serenata
06. Cilea Romanza (Pianoforte Solo)
07. Cilea Vita breve
08. Cilea Ninna nanna popolare savoiarda
09. Cilea Maria mare (arr. D. Boldrini)
10. Cilea Statuit di dominus
11. Cilea Badinage (Pianoforte Solo)
12. Cilea Au village (Pianoforte Solo)
13. Cilea Ave Maria
14. Cilea Pensiero spagnolo (Pianoforte Solo)
15. Cilea Bionda larva
16. Cilea Ave Maria da Tilda (Arr. D. Boldrini)
17. Cilea Agnus dei
18. Cilea Fuga sul tema 'Io son l'umile ancella' da Adriana Lecouvreur

Over the course of a long but ultimately frustrated career as a late-Romantic lyric composer, Francesco Cilea ascribed to one credo above all: ‘Be Italian’. In L’Arlesiana and Adriana Lecouvreur, above all, he created masterpieces of the new style of verismo which kept sung drama in Italian at the centre of wider notions of what opera means. Everything he wrote, from large-scale stage works, to chamber pieces to the salon songs and miniatures gathered here, expressed his quintessentially Italian voice and aesthetic philosophy.

‘The real instrument of expression of the passions is the divine human voice,’ he once remarked, ‘with which no instrument can ever compete.’ Thus, in complement to his career as an operatic composer, he wrote a small but exquisite collection of songs gathered here by artists with considerable experience in the field of neglected Italian art-song. This collection opens with the charming Romanza which Cilea composed at the age of 17, evidently under the spell of Bellini’s Norma.

The more complex harmony of ‘Bionda larva’ from three years later mirrors Cilea’s development as a stage composer, about to launch his first opera, Gina. Every sung line here is calculated, as it was in Monteverdi’s day, to heighten an appreciation of the text, and the emotions underlying it, with a madrigalian illustration which always colours and never obscures the words. There are expressions of heightened erotic passion alongside simple religious devotion – a typically Italian paradox.
As interludes, David Boldrini plays four evocative miniatures, functioning essentially as songs without words. He and Lenny Lorenzani have made a previous collection of Cilea’s songs, but this new Brilliant Classics album was recorded in 2023 and features a different selection of repertoire.


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