The Commitments - The Commitments (Deluxe Edition) (1991)
Artist: The Commitments
Title: The Commitments (Deluxe Edition)
Year Of Release: 1991
Label: Geffen
Genre: Pop, Rock, Funk, Soul, Soundtrack
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:44:31
Total Size: 256/769 Mb
WebSite: Album Preview
Tracklist:Title: The Commitments (Deluxe Edition)
Year Of Release: 1991
Label: Geffen
Genre: Pop, Rock, Funk, Soul, Soundtrack
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:44:31
Total Size: 256/769 Mb
WebSite: Album Preview
CD 1:
01. Mustang Sally (The Commitments/Soundtrack Version) 4:01
02. Take Me To The River 3:38
03. Chain Of Fools 2:58
04. The Dark End Of The Street 2:36
05. Destination Anywhere 3:10
06. I Can't Stand The Rain 3:11
07. Try A Little Tenderness 4:33
08. Treat Her Right 3:37
09. Do Right Woman, Do Right Man 3:17
10. Mr. Pitiful 2:09
11. I Never Loved A Man 3:12
12. In The Midnight Hour 2:23
13. Bye Bye Baby 3:24
14. Slip Away 4:31
CD 2:
01. Hard To Handle 2:23
02. Grits Ain't Groceries 3:44
03. I Thank You 3:38
04. That's The Way Love Is 4:08
05. Show Me 2:55
06. Saved 2:55
07. Too Many Fish In The Sea 2:45
08. Fa-Fa-Fa-Fa-Fa (Sad Song) 2:52
09. Land Of A Thousand Dances 3:16
10. Nowhere To Run 3:40
11. Bring It On Home To Me 3:42
12. Are You Lonely For Me Baby (Album Version) 3:58
13. (She's) Some Kind Of Wonderful (Album Version) 3:20
14. Too Many Cooks (Spoil The Soup) (Album Version) 3:26
15. Same Old Me (Album Version) 5:06
16. Ain't Nothing You Can Do (Long Version) 6:04
Alan Parker's adaptation of Roddy Doyle's crackerjack novel The Commitments kept its focus on the music -- the classic American R&B and soul the titular workingman band cranked out in pubs across Ireland. As a book and film, The Commitments was all about love of music, so it didn't matter if the soundtrack offered workmanlike versions of oldies the band and audience knew by heart: as long as it was done with some, well, soul, the film would work, and the soundtrack would too. In that sense, the Commitments were a cousin to the Blues Brothers, John Belushi and Dan Aykroyd's tribute to the very same music but where Jake and Elwood managed to hire Stax's house band (such are the perks of stardom) , the group Parker assembled were working Irish musicians. This would seem to lend The Commitments some degree of authenticity and it does to a certain extent, as these guys can crank out familiar favorites without missing a step, but the description of working musicians suggests that there is some grit here, which there's not. After all, this is music for a movie, so it is cleanly produced: the horns have a punch, the guitars are crisp, the drums tight and neat, all the better to showcase the bar band growl of Andrew Strong -- his Otis worship comes out like Rod Stewart crossed with Mick Hucknall -- and Maria Doyle's salute to Aretha Franklin. All of this sounds fine, if a bit generic: these are great songs performed ably and if they're not distinctive, they at least suit the spirit of the film's open-hearted hero worship.