101 Strings Orchestra, Skip Martin & The Video All-Stars, Sounds Orchestral - Moon River: The Music of Henry Mancini (2024)
Artist: 101 Strings Orchestra, Skip Martin & The Video All-Stars, Sounds Orchestral
Title: Moon River: The Music of Henry Mancini
Year Of Release: 2024
Label: Dockland Music
Genre: Jazz, Easy Listening
Quality: Mp3 320 / Flac (tracks)
Total Time: 58:57
Total Size: 146/364 Mb
WebSite: Album Preview
Tracklist:Title: Moon River: The Music of Henry Mancini
Year Of Release: 2024
Label: Dockland Music
Genre: Jazz, Easy Listening
Quality: Mp3 320 / Flac (tracks)
Total Time: 58:57
Total Size: 146/364 Mb
WebSite: Album Preview
01. Moon River (From "Breakfast at Tiffany's") 2:56
02. The Pink Panther Theme (From "The Pink Panther") 3:19
03. Peter Gunn Theme 2:11
04. Theme from "Cade's County" 2:08
05. Pink Panther Cocktail 2:42
06. Session at Pete's Pad 3:40
07. Baby Elephant Walk 3:07
08. Fallout! 3:45
09. I Love You and Don't You Forget It 3:43
10. Soft Sounds 3:34
11. Theme from Mr. Lucky (From "Mr. Lucky") 2:40
12. The Brothers Go to Mother's 2:52
13. Two for the Road 2:21
14. Dreamsville 3:48
15. Lonely Princess 2:59
16. Charade (From "Charade") 2:48
17. How Soon 2:28
18. Dear Heart 2:47
19. The Sweetheart Tree 2:40
20. Days of Wine and Roses (From "Days of Wine and Roses") 2:28
101 Strings Orchestra was a brand for a highly successful easy listening symphonic music organization, with a discography exceeding 150 albums and a creative lifetime of around 30 years beginning in 1957. 101 Strings had a trademark sound, focusing on melody with a laid-back ambiance most often featuring strings. Their LPs were individualized by the slogan "The Sound of Magnificence." The 101 Strings orchestra included 124 string instruments, and was conducted by Wilhelm Stephan.
Sounds Orchestral was, for a time, Pye Records' answer to EMI's Sounds Incorporated, although unlike their better known rivals, they were more of a studio ensemble and never got into the position of touring with the Beatles. The group was formed in early 1965 by Pye Records producer John Schroeder, who perceived an audience looking for a sound other than the driving Liverpool beat that had dominated the British airwaves and charts for almost two years. The original line-up included veteran pianist John Pearson, born in 1925 and a bit long-of-tooth to be competing in the rock 'n' roll world, and ex-Johnny Dankworth drummer Kenny Clare, along with 21-year old bassist Tony Reeves, later of Curved Air, Greenslade, and Colosseum, among other bands. Schroeder got some considerable help from Reeves, who brought him a 1960-vintage Vince Guaraldi-trio record called "Cast Your Fate To the Wind". In the hands of Sounds Orchestral, the tune made it to number three on the British charts and even cracked the top 10 in America. It was to be their only major chart entry, but that was enough to yield a pair of LPs and several singles over the ensuing half-decade, and the group continued releasing music intermittently, in one form or another, at least thru the 1970's and early 1980's. Their rendition of "Black Is Black" was also a popular dance record, and has turned up on several Northern Soul collections.
Sounds Orchestral was, for a time, Pye Records' answer to EMI's Sounds Incorporated, although unlike their better known rivals, they were more of a studio ensemble and never got into the position of touring with the Beatles. The group was formed in early 1965 by Pye Records producer John Schroeder, who perceived an audience looking for a sound other than the driving Liverpool beat that had dominated the British airwaves and charts for almost two years. The original line-up included veteran pianist John Pearson, born in 1925 and a bit long-of-tooth to be competing in the rock 'n' roll world, and ex-Johnny Dankworth drummer Kenny Clare, along with 21-year old bassist Tony Reeves, later of Curved Air, Greenslade, and Colosseum, among other bands. Schroeder got some considerable help from Reeves, who brought him a 1960-vintage Vince Guaraldi-trio record called "Cast Your Fate To the Wind". In the hands of Sounds Orchestral, the tune made it to number three on the British charts and even cracked the top 10 in America. It was to be their only major chart entry, but that was enough to yield a pair of LPs and several singles over the ensuing half-decade, and the group continued releasing music intermittently, in one form or another, at least thru the 1970's and early 1980's. Their rendition of "Black Is Black" was also a popular dance record, and has turned up on several Northern Soul collections.