Maria Oràn, Jard van Nes, The Dutch Theatre Choir, Residentie Orchestra The Hague, Hans Vonk - Mahler: Symphony No.2 'Resurrection' (2024)

Tracklist

01. Symphony No. 2 in C Minor Resurrection: I. Allegro moderato (Totenfeier)
02. Symphony No. 2 in C Minor Resurrection: II. Andante Moderato
03. Symphony No. 2 in C Minor Resurrection: III. In ruhig fliessender Bewegung
04. Symphony No. 2 in C Minor Resurrection: IV. Urlicht. Sehr feierlich, aber Schlicht
05. Symphony No. 2 in C Minor Resurrection: V. Finale. In Tempo des Scherzos

A valuable CD reissue for a rare and compelling 1986 account of Mahler’s great testament of faith.

A Dutch tradition in Mahler performance extends beyond the boundaries of the Concertgebouw. Orchestras in Rotterdam and The Hague have often performed the songs and symphonies, and been led by directors with a typically Dutch, humanistic sympathy for the complex texture of expressions and idioms in Mahler, his appeal to the great symphonic tradition as well as his liberation from its strictures.

Nowhere is that sense of tradition and innovation more finely balanced in his output than in the Second Symphony, which underwent the longest gestation of all his symphonies. The first movement began life as a standalone tone-poem, portraying a dream-sequence autobiographical rite of death in graphically Lisztian terms. Gradually something much more ambitious took shape, and the dream which the young conductor-composer had experienced, seeing his own death as if from afar, became eventually answered by a triumphant affirmation of faith in creativity, with his setting of the Resurrection-Ode by the poet Klopstock.

Hearing this poem at a funeral finally gave Mahler the inspiration he needed to complete the symphony, and it has remained one of his best-loved works ever since, coming to embody within generations of its listeners a force of death and renewal. Yet the autobiographical, five-movement form of the symphony has its obvious precedents in the Pastoral Symphony of Beethoven and the Symphonie fantastique of Berlioz, and a successful performance such as this one underlines those connections.

The Amsterdam-born Hans Vonk (1942-2004) served as Chief Conductor of the Residentie Orkest in The Hague between 1980 and 1991. Both the playing and the direction in this performance are imbued with confidence and mutual assurance; the tempi are flowing but not hasty, and Mahler’s structure is held together with a compelling force. First issued as a ‘private’ LP set by the orchestra in 1986, this CD reissue makes a significant contribution to the symphony’s extensive discography.

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