Richard Wistreich - Handel: Memoirs 5 (2024) Hi-Res

Tracklist:

01. The Messiah, HWV 56: Pt. 1 No. 11, The People That Walked In Darkness (Bass) (Live at Cathedral of Brixen, 08/28/2009)
02. The Messiah, HWV 56: Pt. 1 No. 20, He Shall Feed His Flock Like a Shepherd (Alto) (Live at Cathedral of Brixen, 08/28/2009)
03. The Messiah, HWV 56: Pt. 2 No. 36, The Lord Gave the Word (Chorus) (Live at Cathedral of Brixen, 08/28/2009)
04. Memoirs: Observations on the works: Before we enter on the examinations
05. Memoirs: Observations on the works: Music is founded on established rules
06. Memoirs: Observations on the works: The rules are derived from experience
07. Memoirs: Observations on the works: The former of these
08. Memoirs: Observations on the works: Such passages
09. Memoirs: Observations on the works: Hence too we may conclude
10. Memoirs: Observations on the works: As tste implies a natural sensibility
11. Memoirs: Observations on the works: Art is here not only useless, but dangerous
12. Memoirs: German and italian styles, Handel's preference for the italian: What gives me the fuller assurance
13. Memoirs: German and italian styles, Handel's preference for the italian: The Taste in Music
14. Memoirs: German and italian styles, Handel's preference for the italian: Handel formed his Taste upon that of his countrymen
15. Memoirs: German and italian styles, Handel's preference for the italian: When we consider two kinds of Music
16. Memoirs: German and italian styles, Handel's preference for the italian: Thus he takes in all the prejudicated part
17. Memoirs: German and italian styles, Handel's preference for the italian: This appeares from particular instances
18. Memoirs: Italian music since Palestrina: The Old Music, such as it was at the time of Palestrina
19. Memoirs: Italian music since Palestrina: It happened, as it naturally must
20. Memoirs: Italian music since Palestrina: For their instrumental parts
21. Memoirs: Italian music since Palestrina: The one is, that they have little time for composing
22. Memoirs: Italian music since Palestrina: Almost every composer of genius in Italy
23. Memoirs: Italian music since Palestrina: This in some degree
24. Memoirs: Interaction between Handel and the italians: From all that has been said
25. Memoirs: Interaction between Handel and the italians: And as some proof of Handel's influence in Italy
26. Memoirs: Value of harmony and melody: But in order to make a right judgement
27. Memoirs: Value of harmony and melody: The concertos of Tartini
28. Memoirs: Value of harmony and melody: Rousseau has developed this matter wonderfully
29. Memoirs: Value of harmony and melody: His uncommon strenght in the instrumental way
30. Memoirs: Value of harmony and melody: It may also be added
31. Memoirs: Value of harmony and melody: Yet in many others all parts are so nicely adjusted
32. Memoirs: Value of harmony and melody: The best Painter would be blamed
33. Memoirs: Uneven success in Handel: To speak the plain truth
34. Memoirs: Uneven success in Handel: A gentleman whom he had desired
35. Memoirs: Uneven success in Handel :Un disprezzato affetto:
36. Memoirs: Tartini as example of vocal writing for instruments: Here too we will see
37. Memoirs: Tartini as example of vocal writing for instruments: After all the vocal species
38. Memoirs: Tartini as example of vocal writing for instruments: As most difficult passages
39. Memoirs: Importance of textual considerations in composition: And here I just may take notice
40. Memoirs: Importance of textual considerations in composition: A too close attachment
41. Memoirs: Importance of textual considerations in composition: The English tongue
42. Memoirs: Importance of textual considerations in composition: If it abounds with noble images
43. Memoirs: Exceptional nature of Handels choral music: In his Chorusses he is without a rival
44. Memoirs: Exceptional nature of Handels choral music: It is true that in the admirable epistle
45. Memoirs: Exceptional nature of Handels choral music: But there are many reasons
46. Memoirs: Exceptional nature of Handels choral music: It is however no way improbable
47. Memoirs: Effects of Handel's oratorio style, Messiah: As his Oratorios
48. Memoirs: Effects of Handel's oratorio style, Messiah: After these vast efforts of genius
49. Memoirs: Effects of Handel's oratorio style, Messiah: This is probably owing to that grandeur of conception
50. Memoirs: Particular effect of recitative in expressing religion and humanity: His excellence in another branch of vocal Music
51. Memoirs: Duets, trios and Acis and Galatea: The Duettos and Terzettos were made at different times
52. Memoirs: Duets, trios and Acis and Galatea: The author hat only himself to please
53. Memoirs: Duets, trios and Acis and Galatea: It was not to be disembled
54. Memoirs: Duets, trios and Acis and Galatea: The Duetto beginning Amiravi mio sono intento
55. Memoirs: Duets, trios and Acis and Galatea: Among the Trios :Quando non ho più core:
56. Memoirs: Duets, trios and Acis and Galatea: Though the Duettos and Trios in his Operas and Oratorios
57. Memoirs: Duets, trios and Acis and Galatea: The Cantatas now remaining
58. Memoirs: Qualities of instrumental music: In his Music for Instruments
59. Memoirs: Qualities of instrumental music: Tho' no man ever introduced such a number of instruments
60. Memoirs: Keyboard music: Harpsichord Lessons
61. Memoirs: Keyboard music: Indeed there seems to be more work in that
62. Memoirs: Place and significance of religion and humanity in Handel's works
63. Memoirs: Exemplary character of Handel's works: The hopes of rendering some service to Music
64. Memoirs: Exemplary character of Handel's works: At all events
65. Memoirs: Exemplary character of Handel's works: Our most fashonable Music
66. Handel - Memoirs 5 - 63 - Exemplary character of Handel's works Such a decay
67. The Messiah, HWV 56: Pt. 2 No. 28, He Trusted In God That He Would Deliver Him (Chorus) (Live at Cathedral of Brixen, 08/28/2009)
68. The Messiah, HWV 56: Pt. 1 No. 17, Glory to God In the Highest (Chorus) (Live at Cathedral of Brixen, 08/28/2009)
69. The Messiah, HWV 56: Pt. 2 No. 43, Hallelujah! (Chorus) (Live at Cathedral of Brixen, 08/28/2009)