Ben Webster - That's All - Autumn Jazz (2024)
Artist: Ben Webster
Title: That's All - Autumn Jazz
Year Of Release: 2022/2024
Label: UMG Recordings
Genre: Jazz
Quality: Mp3 320 / Flac (tracks)
Total Time: 04:40:51
Total Size: 687 Mb / 1,5 Gb
WebSite: Album Preview
Tracklist:Title: That's All - Autumn Jazz
Year Of Release: 2022/2024
Label: UMG Recordings
Genre: Jazz
Quality: Mp3 320 / Flac (tracks)
Total Time: 04:40:51
Total Size: 687 Mb / 1,5 Gb
WebSite: Album Preview
01. That's All 3:48
02. Cocktails For Two 2:43
03. How Deep Is The Ocean (How High Is The Sky) 2:33
04. The Ghost Of Dinah 2:49
05. Roses Of Picardy 2:11
06. Pennies From Heaven 2:49
07. Trouble In Mind 2:48
08. While We're Dancing 2:49
09. Sophisticated Lady 3:05
10. Poutin' 3:56
11. That's All (Single Version) 2:55
12. Who 2:59
13. Tenderly 3:02
14. Stardust 3:07
15. Hotter Than 'Ell 2:58
16. Linger Awhile 3:11
17. In The Wee Small Hours Of The Morning 3:11
18. Don't Get Around Much Any More 3:06
19. Cotton Tail 3:21
20. My Funny Valentine 3:24
21. The Single Petal Of A Rose 3:20
22. I Didn't Know About You 3:31
23. Sunday 3:56
24. Chelsea Bridge 3:56
25. Danny Boy 3:37
26. My Greatest Mistake 3:38
27. Fajista 5:52
28. There Is No Greater Love (Album Version) 3:42
29. Coal Train 4:10
30. Honey Hill 4:06
31. Midnight Blue 4:04
32. What Am I Here For (Album Version) 3:57
33. Ev's Mad 4:24
34. You'd Be So Nice To Come Home To 4:15
35. Prisoner Of Love 4:15
36. Jive At Six 4:11
37. Willow Weep For Me 4:40
38. We'll Be Together Again 4:30
39. Bounce Blues 4:31
40. All Too Soon 4:45
41. Prelude To A Kiss 4:48
42. Time After Time (Album Version) 4:35
43. De-Dar 4:40
44. Shine On Harvest Moon 4:49
45. When I Fall In Love 4:57
46. Early Autumn 4:50
47. For Bessie 5:40
48. Tangerine 5:21
49. Rosita 5:05
50. The Touch Of Your Lips 6:17
51. The Cat Walk 5:42
52. It Never Entered My Mind 5:47
53. You're Getting To Be A Habit With Me 6:53
54. Just Friends (Instrumental) 6:26
55. Blues For Yolande 6:45
56. Bye Bye Blackbird 6:43
57. Blues In B Flat 7:21
58. Who's Got Rhythm? 7:39
59. Blues For Mr. Broadway 8:13
60. Ash 8:24
61. The Kid And The Brute 8:26
62. What Is This Thing Called Love 7:29
Ben Webster was considered one of the "big three" of swing tenors along with Coleman Hawkins (his main influence) and Lester Young. He had a tough, raspy tone on stomps (with his own distinctive growls), yet on ballads he would play with warmth and sentiment. After violin lessons as a child, Webster learned how to play rudimentary piano (his neighbor Pete Johnson taught him to play blues). But after Budd Johnson showed him some basics on the saxophone, Webster played sax in the Young Family Band (which at the time included Lester Young). He had stints with Jap Allen and Blanche Calloway (making his recording debut with the latter) before joining Bennie Moten's Orchestra in time to be one of the stars on a classic session in 1932. Webster spent time with quite a few orchestras in the 1930s, including Andy Kirk, Fletcher Henderson in 1934, Benny Carter, Willie Bryant, Cab Calloway, and the short-lived Teddy Wilson big band.
In 1940 (after short stints in 1935 and 1936), Ben Webster became Duke Ellington's first major tenor soloist. During the next three years he was on many famous recordings, including "Cotton Tail" -- which in addition to his memorable solo had a saxophone ensemble arranged by Webster -- and "All Too Soon." After leaving Ellington in 1943 (he would return for a time in 1948 and 1949), Webster worked on 52nd Street; recorded frequently as both a leader and a sideman; had short periods with Raymond Scott, John Kirby, and Sid Catlett; and toured with Jazz at the Philharmonic during several seasons in the 1950s. Although his style was falling out of fashion by that decade, Webster's work on ballads became quite popular, and Norman Granz recorded him on many memorable sessions. Webster recorded a classic set with Art Tatum and generally worked steadily, but in 1964 he moved permanently to Copenhagen where he played when he pleased during his last decade. His distinctive tone was a later influence on such diverse players as Archie Shepp, Lew Tabackin, Scott Hamilton, and Bennie Wallace.
In 1940 (after short stints in 1935 and 1936), Ben Webster became Duke Ellington's first major tenor soloist. During the next three years he was on many famous recordings, including "Cotton Tail" -- which in addition to his memorable solo had a saxophone ensemble arranged by Webster -- and "All Too Soon." After leaving Ellington in 1943 (he would return for a time in 1948 and 1949), Webster worked on 52nd Street; recorded frequently as both a leader and a sideman; had short periods with Raymond Scott, John Kirby, and Sid Catlett; and toured with Jazz at the Philharmonic during several seasons in the 1950s. Although his style was falling out of fashion by that decade, Webster's work on ballads became quite popular, and Norman Granz recorded him on many memorable sessions. Webster recorded a classic set with Art Tatum and generally worked steadily, but in 1964 he moved permanently to Copenhagen where he played when he pleased during his last decade. His distinctive tone was a later influence on such diverse players as Archie Shepp, Lew Tabackin, Scott Hamilton, and Bennie Wallace.