Le Concert Spirituel, Hervé Niquet - Marc-Antoine Charpentier: Te Deum (2002)

06 Sep, 21:06
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Artist: Le Concert Spirituel, Hervé Niquet
Title: Marc-Antoine Charpentier: Te Deum
Year Of Release: 2002
Label: Glossa
Genre: Classical
Quality: FLAC (tracks)
Total Time: 55:01
Total Size: 288 Mb
WebSite: Album Preview

Tracklist:

Deux airs de trompette, H. 547 (Marc-Antoine Charpentier)
01. I. Marche pour les trompettes - 00:01:50
02. II. Marche pour les trompettes - 00:02:38

Te Deum, H. 146 (Marc-Antoine Charpentier)
03. Introduction - 00:01:09
04. Te Deum laudamus - 00:01:02
05. Te aeternum Patrem onmis terra veneratur - 00:02:58
06. Te per orbem terrarum - 00:03:06
07. Tu, devicto mortis aculeo - 00:01:33
08. Tu ergo quaesumus - 00:02:29
09. Aeterna fac cum sanctis - 00:01:55
10. Dignare Domine - 00:02:22
11. Fiat misericordia - 00:01:44
12. In te Domine speravi - 00:02:26

Dixit Dominus, H. 204 (Marc-Antoine Charpentier)
13. Prelude - 00:02:14
14. Dixit Dominus Domino meo - 00:02:31
15. Tecum principium in die virtutis tuae - 00:02:48
16. Judicabit in nationibus - 00:01:03
17. De torrente in via bibet - 00:02:39
18. Dies tubae et clangoris - 00:02:52
19. Accingere galdio tuo - 00:01:40
20. Sagittae tuae sagittae potentis acutae - 00:02:49
21. Certamen forte dedisti mihi Domine - 00:05:42
22. Psallite regi nostro - 00:02:44

Domine salvum fac regem, H. 291 (Anonymous)
23. Domine salvum fac regem, H. 291 - 00:02:47

Performers:
Le Concert Spirituel
Hervé Niquet

A masterpiece of French music, Charpentiers Te Deum was a song of thanksgiving flourishing with the military fortunes of Louis XIV, King of France, who was leading his country in a protracted war. But, curiously, it was not the triumphant nature of the Te Deum that attracted Hervé Niquet – director of Le Concert Spirituel – to this piece. “I love the intimacy of Charpentier”, he says, something which can be found when you look at the performance history of Charpentier’s music in some of its original settings, such as the house of the Duchess of Guise or the Sainte Chapelle, where it is clear that detail, vocal and compositive virtuosity, rather than symphonic magnitude, were to the fore. Charpentier’s genius is such, however, that it perfectly express the grandeur and poetry indispensable for works like the Te Deum".

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