Rosa Torres-Pardo - Albéniz: Iberia, books 1-4 (2007)
Artist: Rosa Torres-Pardo
Title: Albéniz: Iberia, books 1-4
Year Of Release: 2007
Label: Glossa
Genre: Classical
Quality: FLAC (tracks)
Total Time: 02:06:13
Total Size: 428 Mb
WebSite: Album Preview
Tracklist: Title: Albéniz: Iberia, books 1-4
Year Of Release: 2007
Label: Glossa
Genre: Classical
Quality: FLAC (tracks)
Total Time: 02:06:13
Total Size: 428 Mb
WebSite: Album Preview
Iberia, book 1 (Isaac Albéniz)
01. I. Evocacion - 06:25
02. II. El Puerto - 04:49
03. III. Fete-Dieu a Seville - 10:50
17. I. Evocacion - 05:58
18. II. El Puerto - 04:44
Iberia, book 2 (Isaac Albéniz)
04. I. Rondena - 08:43
05. II. Almeria - 11:10
06. III. Triana - 05:42
19. II. Almeria - 10:34
Iberia, book 3 (Isaac Albéniz)
07. I. El Albaicin - 07:59
08. II. El Polo - 08:44
09. III. Lavapies - 07:42
20. I. El Albaicin - 07:50
Iberia, book 4 (Isaac Albéniz)
10. I. Malaga - 05:42
11. II. Jerez - 12:21
12. III. Eritana - 07:00
Performers:
Rosa Torres-Pardo (piano)
A special limited edition of the recording of Albéniz's Iberia Suite, performed by the distinguished Spanish pianist Rosa Torres-Pardo.
Illustrations for this beautiful double-disc set have been provided by Eduardo Arroyo, a noted figure in the neo-figurative movement, and the booklet additionally contains articles penned by writer and director Javier Rioyo and musician and Albéniz specialist Antonio Iglesias.The recording was made by Torres-Pardo in the town where Albéniz was born, Camprodón in Gerona, and intriguingly, also contains four of the 12 individual pieces in 'double' versions: played first on a modern piano and then on the instrument that was owned by the composer himself.
Illustrations for this beautiful double-disc set have been provided by Eduardo Arroyo, a noted figure in the neo-figurative movement, and the booklet additionally contains articles penned by writer and director Javier Rioyo and musician and Albéniz specialist Antonio Iglesias.The recording was made by Torres-Pardo in the town where Albéniz was born, Camprodón in Gerona, and intriguingly, also contains four of the 12 individual pieces in 'double' versions: played first on a modern piano and then on the instrument that was owned by the composer himself.
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