Zoe Rahman - Kindred Spirits (2012)
Artist: Zoe Rahman
Title: Kindred Spirits
Year Of Release: 2012
Label: Manushi Records
Genre: Jazz
Quality: FLAC (tracks) | Mp3 / 320kbps
Total Time: 51:10
Total Size: 310 MB | 116 MB
WebSite: Album Preview
TracklistTitle: Kindred Spirits
Year Of Release: 2012
Label: Manushi Records
Genre: Jazz
Quality: FLAC (tracks) | Mp3 / 320kbps
Total Time: 51:10
Total Size: 310 MB | 116 MB
WebSite: Album Preview
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01. Down to Earth
02. Conversation with Nellie
03. Maya
04. Forbiddance / My Heart Dances, Like a Peacock, It Dances (Hridoy Amar Nache Re.Mana Na Manili)
05. Butlers of Glen Avenue
06. Outside in
07. Imagination (Hridoy Amar Prokash Holo)
08. Rise Above
09. Fly in the Ointment
10. Contusion
Since establishing herself as one of the UK jazz scene’s most talented pianists in 2005 with her Mercury-nominated album Melting Pot, Zoe Rahman has steadily consolidated her reputation with a trio (plus guest Idris Rahman) recording from London’s Pizza Express (Live, 2007) and a jazz/Bengali music fusion album, Where Rivers Meet.
Kindred Spirits draws on all the musical influences, from straightahead jazz (she cut her teeth in Clark Tracey’s 2000s band) to the music she hears when visiting her family in Dhaka, that informed these albums, but adds another strand: Irish traditional music, experienced on Rahman’s recent tour of the country that was her maternal grandmother’s home.
Add the inspiration drawn from the 150th anniversary of Bengal’s most celebrated writer/musician and Nobel laureate Rabindranath Tagore, and you have an absorbingly multi-faceted set, beginning with the tumultuously robust ‘Down to Earth’, in which Rahman strikes sparks off her fiercely interactive rhythm section, bassist Oli Hayhurst and drummer Gene Calderazzo, and concluding with a characteristically irresistible Stevie Wonder tune, ‘Contusion’ but, in between, touching bases ranging from Tagore compositions featuring brother Idris’s clarinets, Irish folk (‘Butlers of Glen Avenue’) and even the odd burst of free music (‘Outside In’). Rahman, though, is very much her prodigiously gifted self throughout, whether throwing off alternately sparkling and thunderous runs, merging more delicately with her brother or guest Courtney Pine‘s playing on less overtly jazz-based material, or spinning compelling piano-trio jazz from her own infectiously lively compositions.
A rich confection of what Rahman simply describes as ‘tunes that I love playing’, Kindred Spirits provides what liner-note writer Julian Joseph accurately terms ‘a powerful and fresh portrait of her combined English, Irish and Bengali heritage’.~ Review by Chris Parker
Kindred Spirits draws on all the musical influences, from straightahead jazz (she cut her teeth in Clark Tracey’s 2000s band) to the music she hears when visiting her family in Dhaka, that informed these albums, but adds another strand: Irish traditional music, experienced on Rahman’s recent tour of the country that was her maternal grandmother’s home.
Add the inspiration drawn from the 150th anniversary of Bengal’s most celebrated writer/musician and Nobel laureate Rabindranath Tagore, and you have an absorbingly multi-faceted set, beginning with the tumultuously robust ‘Down to Earth’, in which Rahman strikes sparks off her fiercely interactive rhythm section, bassist Oli Hayhurst and drummer Gene Calderazzo, and concluding with a characteristically irresistible Stevie Wonder tune, ‘Contusion’ but, in between, touching bases ranging from Tagore compositions featuring brother Idris’s clarinets, Irish folk (‘Butlers of Glen Avenue’) and even the odd burst of free music (‘Outside In’). Rahman, though, is very much her prodigiously gifted self throughout, whether throwing off alternately sparkling and thunderous runs, merging more delicately with her brother or guest Courtney Pine‘s playing on less overtly jazz-based material, or spinning compelling piano-trio jazz from her own infectiously lively compositions.
A rich confection of what Rahman simply describes as ‘tunes that I love playing’, Kindred Spirits provides what liner-note writer Julian Joseph accurately terms ‘a powerful and fresh portrait of her combined English, Irish and Bengali heritage’.~ Review by Chris Parker
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