Yuri Liberzon & Piotr Pakhomkin - Piazzolla: Music for Guitar (2024) [Hi-Res]

  • 24 Sep, 16:12
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Artist:
Title: Piazzolla: Music for Guitar
Year Of Release: 2024
Label: Naxos
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:16:37
Total Size: 248 MB / 1.21 GB
WebSite:

Tracklist:

1. Piazzolla: Tango Suite: Tango No. 1, Allegro, libero (5:24)
2. Piazzolla: Tango Suite: Tango No. 2, Andante rubato, melancolico (4:38)
3. Piazzolla: Tango Suite: Tango No. 3, Allegro (7:41)
4. Piazzolla: Oblivion (Arr. for Guitar by Yuri Liberzon) (4:11)
5. Piazzolla: La muerte del ángel (Arr. for Guitar by Leo Brouwer) (5:21)
6. Piazzolla: Cinco piezas: No. 1, Campero (5:02)
7. Piazzolla: Cinco piezas: No. 2, Romántico (5:40)
8. Piazzolla: Cinco piezas: No. 3, Acentuado (3:48)
9. Piazzolla: Cinco piezas: No. 4, Tristón (5:07)
10. Piazzolla: Cinco piezas: No. 5, Compadre (3:19)
11. Piazzolla: Tango-Études (Arr. for Guitar by Manuel Barrueco): Étude No. 1, Décidé (3:32)
12. Piazzolla: Tango-Études (Arr. for Guitar by Manuel Barrueco): Étude No. 2, Anxieux et rubato (8:30)
13. Piazzolla: Tango-Études (Arr. for Guitar by Manuel Barrueco): Étude No. 3, Molto marcato e energico (4:15)
14. Piazzolla: Tango-Études (Arr. for Guitar by Manuel Barrueco): Étude No. 4, Lento-Meditativo (3:34)
15. Piazzolla: Tango-Études (Arr. for Guitar by Manuel Barrueco): Étude No. 5 (2:14)
16. Piazzolla: Tango-Études (Arr. for Guitar by Manuel Barrueco): Étude No. 6, Avec anxiété (4:27)

Astor Piazzolla’s introduction of new rhythms and harmonies into the tango won him worldwide fame. Tango Suite, for two guitars, is one of the finest duo works in the repertoire, offering fireworks and percussive effects as well as exquisite melancholy. Yuri Liberzon has arranged the much-loved Oblivion for guitar, while Leo Brouwer’s arrangement of La muerte del ángel is full of vivacity and colour. Cinco piezas was Piazzolla’s first work for classical guitar and embraces peasant dances and complex cross-rhythms alike; the Tango-Études, originally for flute, shows the guitar’s range and versatility in Manuel Barrueco’s idiomatic arrangement.



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