La Cetra Basel and Andrea Marcon - J. S. Bach: Mass in B Minor (2024) [Hi-Res]
Artist: La Cetra Basel, Andrea Marcon
Title: J. S. Bach: Mass in B Minor
Year Of Release: 2024
Label: Arcana
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:47:11
Total Size: 508 MB / 1.92 GB
WebSite: Album Preview
Tracklist:Title: J. S. Bach: Mass in B Minor
Year Of Release: 2024
Label: Arcana
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:47:11
Total Size: 508 MB / 1.92 GB
WebSite: Album Preview
CD1
1. Mass in B Minor, BWV 232: I. Kyrie: No. 1, Kyrie eleison I (Chorus) (9:39)
2. Mass in B Minor, BWV 232: I. Kyrie: No. 2, Christe eleison (Sopranos 1 & 2) (4:41)
3. Mass in B Minor, BWV 232: I. Kyrie: No. 3, Kyrie eleison II (Chorus) (3:59)
4. Mass in B Minor, BWV 232: II. Gloria: No. 1, Gloria in excelsis Deo (Chorus) (1:48)
5. Mass in B Minor, BWV 232: II. Gloria: No. 2, Et in terra pax (Chorus) (4:43)
6. Mass in B Minor, BWV 232: II. Gloria: No. 3, Laudamus te (Soprano 2) (4:11)
7. Mass in B Minor, BWV 232: II. Gloria: No. 4, Gratias agimus tibi (Chorus) (3:13)
8. Mass in B Minor, BWV 232: II. Gloria: No. 5, Domine Deus (Soprano 1, Tenor) (5:30)
9. Mass in B Minor, BWV 232: II. Gloria: No. 6, Qui tollis peccata mundi (Chorus) (2:57)
10. Mass in B Minor, BWV 232: II. Gloria: No. 7, Qui sedes ad dexteram Patris (Alto) (3:54)
11. Mass in B Minor, BWV 232: II. Gloria: No. 8, Quoniam tu solus sanctus (Bass) (4:13)
12. Mass in B Minor, BWV 232: II. Gloria: No. 9, Cum sancto Spiritu (Chorus) (3:54)
CD2
1. Mass in B Minor, BWV 232: III. Symbolum Nicenum, Credo: No. 1, Credo in unum Deum (Chorus) (2:24)
2. Mass in B Minor, BWV 232: III. Symbolum Nicenum, Credo: No. 2, Patrem omnipotentem (Chorus) (1:55)
3. Mass in B Minor, BWV 232: III. Symbolum Nicenum, Credo: No. 3, Et in unum Dominum (Soprano 1, Alto) (4:51)
4. Mass in B Minor, BWV 232: III. Symbolum Nicenum, Credo: No. 4, Et incarnatus est (Chorus) (3:02)
5. Mass in B Minor, BWV 232: III. Symbolum Nicenum, Credo: No. 5, Crucifixus (Chorus) (2:32)
6. Mass in B Minor, BWV 232: III. Symbolum Nicenum, Credo: No. 6, Et resurrexit (Chorus) (4:02)
7. Mass in B Minor, BWV 232: III. Symbolum Nicenum, Credo: No. 7, Et in Spiritum Sanctum (Bass) (5:02)
8. Mass in B Minor, BWV 232: III. Symbolum Nicenum, Credo: No. 8, Confiteor (Chorus) (3:29)
9. Mass in B Minor, BWV 232: III. Symbolum Nicenum, Credo: No. 9, Et expecto resurrectionem mortuorum (Chorus) (3:24)
10. Mass in B Minor, BWV 232: IV. Sanctus: No. 1, Sanctus (Chorus) (4:39)
11. Mass in B Minor, BWV 232: V. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: No. 2, Osanna in excelsis (Chorus) (2:40)
12. Mass in B Minor, BWV 232: V. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: No. 3, Benedictus (Tenor) (4:38)
13. Mass in B Minor, BWV 232: V. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: No. 4, Osanna (Chorus) (2:43)
14. Mass in B Minor, BWV 232: V. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: No. 5, Agnus Dei (Alto) (5:27)
15. Mass in B Minor, BWV 232: V. Osanna, Benedictus, Agnus Dei et Dona nobis pacem: No. 6, Dona nobis pacem (Chorus) (3:51)
25 years of La Cetra Basel! To celebrate this anniversary, La Cetra and Arcana are releasing the "greatest musical masterpiece of all time", as the work was called in the 19th century: Bach's Mass in B minor. "It is a dream come true to have recorded this work for La Cetra's 25th jubilee - the best birthday present ever!" says maestro Andrea Marcon. Under his direction, La Cetra Basel has made a name for itself in recent years with acclaimed interpretations of J. S. Bach's most important sacred works. Featuring top-flight soloists, this recording presents Andrea Marcon's particular vision for this Mass, notable for the division of voices between "concertists" and "ripienists". The sonority and character of each movement emerge from the skilfully crafted balance between solos and tuttis, creating a three-dimensional sound reminiscent of a three-manual organ. The result is a unique tonality, full of fresh nuances and colours, and no doubt very close to what Bach had imagined.
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