Simone Graziano - Sexuality (2019) [Hi-Res]

The work on “Sexuality” started in 2017 and was inspired by Simha Arom’s “African Polyphony and Polyrhythm”. «Simha – he adds – was a horn player who was supposed to stop in Central African Republic for just a few days (for some orchestra concerts) and eventually stayed there for four years, after bumping into Pygmy music and instruments.» Graziano examined polyrhythm in deep, trying to get a grasp of the differences in the African approach. «The main idea is to have different rhythms layering up at the same time, which is what we experience in real life: we talk while we hear the noise from outside the window, other voices, or the fingers on a computer keyboard. We’re used to select and filter out what we consider unnecessary, although nature is filled with polyrhythm. This album tries to represent the complexity of nature.»

If this is where the shape comes from, the essence can be found right in the album title. «It’s inspired by Stephen A. Mitchell’s book, “Can Love Last?”. Which starts from a basic assumption: we only know some elements about sex – environmental, biological, generational elements. Science can’t fully explain this unstoppable energy that is common to all mankind. And here is where the power dominance could take place: religions and governments have always tried to control our sexuality, as they knew they could then control human beings. Today, we experience another form of sex control: chats on social platforms. And web porn is just another step further». All of this is paid with a valuable currency: our personal data, tracked and sold as a commodity. «Sexuality – Simone Graziano adds – aims at being a push to take back human contact. And not for moral purposes, but as a form of rebellion to fight a system that makes money off of our pleasure.»