Gillian Weir - Messiaen: The Organ Works, Vols. 5 & 6 (2003)

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Artist:
Title: Messiaen: The Organ Works, Vols. 5 & 6
Year Of Release: 2003
Label: Priory Records
Genre: Classical
Quality: FLAC (tracks)
Total Time: 02:17:24
Total Size: 558 Mb
WebSite:

Tracklist:

Disc 1
Livre du Saint-Sacrement, I/53 (Olivier Messiaen)

01. No. 1, Adoro te - 00:02:51
02. No. 2, La Source de Vie - 00:02:09
03. No. 3, Le Dieu caché - 00:05:41
04. No. 4, Acte de foi - 00:02:11
05. No. 5, Puer natus est nobis - 00:05:52
06. No. 6, La manne et le pain de vie - 00:09:18
07. No. 7, Les ressuscités et la lumière de vie - 00:03:29
08. No. 8, Institution de l’Eucharistie - 00:04:28
09. No. 9, Les ténèbres - 00:04:06
10. No. 10, La Résurrection du Christ - 00:04:14
11. No. 11, L’apparition du Christ ressuscité à Marie-Madeleine - 00:12:17
12. No. 12, La Transubstantiation - 00:07:17

Disc 2
01. No. 13, Les deux murailles d’eau - 00:06:44
02. No. 14, Prière avant la Communion - 00:04:21
03. No. 15, La joie de la grâce - 00:06:06
04. No. 16, Prière après la Communion - 00:06:33
05. No. 17, La présence multipliée - 00:02:33
06. No. 18, Offrande et alleluia final - 00:07:32
07. Prélude pour orgue - 00:09:57
08. Monodie, I/45a - 00:03:00
09. Verset pour la fête de la dédicace, I/44 - 00:10:39
10. Offrande au Saint-Sacrement - 00:04:09
11. Diptyque, essai sur la vie terrestre et l’éternité bienheureuse, I/3 - 00:11:57

Performers:
Gillian Weir - Organ of Arhus Cathedral, Denmark

The fifth and sixth volumes in Priory's complete series of Olivier Messiaen's organ works are combined on this double disc for the sake of presenting the entire Livre du Saint-Sacrement (1984) in one package. This 18-movement work explores the mysteries of the Holy Eucharist as interpreted by Messiaen through the filters of his personal mysticism, his synesthetic experiences, and his unique symbolic systems. In purely musical terms, this massive organ suite breaks down into several familiar components found in many other pieces by the composer: evolving, chromatic harmonies in slow progressions; exotic and excited bird calls; stark expositions of chant-like melodies; and multi-hued sonorities, produced by ingenious combinations of stops. One need not fully comprehend the devotional program of this work or its complicated techniques to appreciate its dazzling effects and to be intrigued by its mysterious and often dazzling passages. Indeed, one may be more fascinated by Gillian Weir's virtuosic playing and her exceptional control and expressivity for the duration of this monumental work. Recorded in 1994 on the Frobenius organ in Arhus Cathedral, Denmark, with additional tracks recorded in 2003, this album has good resonance and depth.