Arianna Art Ensemble - TELEMANN & CO (2024) [Hi-Res]

  • 15 Oct, 04:18
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Artist:
Title: TELEMANN & CO
Year Of Release: 2024
Label: Urania Records
Genre: Classical
Quality: FLAC (tracks) [88.2kHz/24bit]
Total Time: 58:52
Total Size: 994 / 289 MB
WebSite:

Tracklist:

1. Quartet (Sonata) in F for Bassoon, Violin, Oboe and Continuo, FaWV NF4 I. Largo (01:52)
2. Quartet (Sonata) in F for Bassoon, Violin, Oboe and Continuo, FaWV NF4 II. Allegro (01:35)
3. Quartet (Sonata) in F for Bassoon, Violin, Oboe and Continuo, FaWV NF4 III. Largo (02:06)
4. Quartet (Sonata) in F for Bassoon, Violin, Oboe and Continuo, FaWV NF4 IV. Allegro (02:09)
5. Trio Sonata in F for Recorder, Viola da Gamba, and Continuo, TWV 42 F3 I. Vivace (02:45)
6. Trio Sonata in F for Recorder, Viola da Gamba, and Continuo, TWV 42 F3 II. Mesto (01:31)
7. Trio Sonata in F for Recorder, Viola da Gamba, and Continuo, TWV 42 F3 III. Allegro (02:36)
8. Basson Sonata in C, FaWV NC1 I. Largo (04:09)
9. Basson Sonata in C, FaWV NC1 II. Allegro (03:20)
10. Basson Sonata in C, FaWV NC1 III. Andante (03:27)
11. Basson Sonata in C, FaWV NC1 IV. Allegro assai (03:44)
12. Trio (Concerto) in G for Viola d’amore, Oboe d’amore and Bassoon I. Grave (03:25)
13. Trio (Concerto) in G for Viola d’amore, Oboe d’amore and Bassoon II. Allegro (03:55)
14. Trio (Concerto) in G for Viola d’amore, Oboe d’amore and Bassoon III. Andante (Siciliana) (02:25)
15. Trio (Concerto) in G for Viola d’amore, Oboe d’amore and Bassoon IV. Menuet (01:45)
16. Gamba Sonata in A minor, TWV 41a6 I. Largo (02:52)
17. Gamba Sonata in A minor, TWV 41a6 II. Allegro (01:45)
18. Gamba Sonata in A minor, TWV 41a6 III. Soave (02:06)
19. Gamba Sonata in A minor, TWV 41a6 IV. Allegro (02:56)
20. Quartet (Concerto) in G minor for Recorder, Violin, Viola and Continuo, TWV 43 g4. I. Allegro (02:03)
21. Quartet (Concerto) in G minor for Recorder, Violin, Viola and Continuo, TWV 43 g4. II. Adagio (02:06)
22. Quartet (Concerto) in G minor for Recorder, Violin, Viola and Continuo, TWV 43 g4. III. Allegro (04:12)

Georg Philipp Telemann belongs to the auroral phases of the Enlightenment, a musician with an inexhaustible and perhaps unparalleled creative vein in terms of the breadth of his catalogue. Johann Michael Bohm was skilled in the violin as well as the flute and oboe; Johann Friedrich Fasch was a very industrious music craftsman, although reluctant to publish his own work, which appeared posthumously. The embarrassment that seizes some commentators is due primarily to little familiarity with the music included in this album, informed by a sound "individualism" and a systematic spirit, yes, but still little inclined to the rigid regularities that perhaps only the late-Romantic school imposed on the view of music.