Sheila Arnold - Brahms Intimissimo with Blüthner 1862 (2024) [Hi-Res]
Artist: Sheila Arnold
Title: Brahms Intimissimo with Blüthner 1862
Year Of Release: 2024
Label: CAvi-music
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 01:10:18
Total Size: 204 MB / 1.01 GB
WebSite: Album Preview
Tracklist:Title: Brahms Intimissimo with Blüthner 1862
Year Of Release: 2024
Label: CAvi-music
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks+booklet)
Total Time: 01:10:18
Total Size: 204 MB / 1.01 GB
WebSite: Album Preview
1. Brahms: 4 Ballades, Op. 10: No. 1 in D Minor. Andante (5:08)
2. Brahms: 4 Ballades, Op. 10: No. 2 in D Major. Andante (6:46)
3. Brahms: 4 Ballades, Op. 10: No. 3 in B Minor. Intermezzo (4:16)
4. Brahms: 4 Ballades, Op. 10: No. 4 in B Major. Andante con moto (7:42)
5. Widmann: Intermezzi for Piano: No. 1 (0:41)
6. Widmann: Intermezzi for Piano: No. 2, Zart singend (1:18)
7. Brahms: 7 Fantasien, Op. 116: No. 1, Capriccio in D Minor (2:29)
8. Brahms: 7 Fantasien, Op. 116: No. 2, Intermezzo in A Minor (3:45)
9. Brahms: 7 Fantasien, Op. 116: No. 3, Capriccio in G Minor (3:25)
10. Brahms: 7 Fantasien, Op. 116: No. 4, Intermezzo in E Major (4:19)
11. Brahms: 7 Fantasien, Op. 116: No. 5, Intermezzo in E Minor (2:55)
12. Brahms: 7 Fantasien, Op. 116: No. 6, Intermezzo in E Major (3:00)
13. Brahms: 7 Fantasien, Op. 116: No. 7, Capriccio in D Minor (2:50)
14. Widmann: Intermezzi for Piano: No. 4, Wiegenlied (4:26)
15. Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major. Andante moderato (4:41)
16. Brahms: 3 Intermezzi, Op. 117: No. 2 in B-Flat Minor. Andante non troppo e con molto espressione (4:17)
17. Brahms: 3 Intermezzi, Op. 117: No. 3 in C-Sharp Minor. Andante con moto (5:43)
18. J.S. Bach: The Well-Tempered Clavier, Book 2, BWV 870-893: Prelude in E Major, BWV 878 (2:47)
Recording on our partner label CAvi Music, pianist Sheila Arnold announces her upcoming album, on which she performs Brahms, Bach and Jörg Widmann on a special Blüthner grand piano from the early 1860s. As the piano is built with strings that are still straight and not overstrung, the registers are clearly different. The instrument has an unmistakable tone quality due to the unique way it is built, which provides an added layer of multidimensionality for the listener.
“In 2022, when I played this Blüthner for the first time, I was left speechless at first – and that only seemed to make the instrument’s sheer eloquence all the more impressive,” Arnold states. "It seems to me that this Blüthner Grand Salon Piano is the instrument I have been looking for all my life, and I am happy that it has found its way to me. It has a humanity in its timbre, along with clarity of polyphony. The individual notes have depth and lightness; this exceptional instrument possesses the eloquence of human speech and a songlike tone.”
“In 2022, when I played this Blüthner for the first time, I was left speechless at first – and that only seemed to make the instrument’s sheer eloquence all the more impressive,” Arnold states. "It seems to me that this Blüthner Grand Salon Piano is the instrument I have been looking for all my life, and I am happy that it has found its way to me. It has a humanity in its timbre, along with clarity of polyphony. The individual notes have depth and lightness; this exceptional instrument possesses the eloquence of human speech and a songlike tone.”
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