Albane Carrère, Elsa de Lacerda, Magali Rischette - Kiki à Paris (2024) [Hi-Res]

Tracklist

01. Quoi (Arr. by Jean-Luc Fafchamps)
02. Trois chansons de Bilitis, L. 90: 1. La Flûte de Pan (Arr. by Jean-Luc Fafchamps)
03. Trois chansons de Bilitis, L. 90: 2. La Chevelure (Arr. by Jean-Luc Fafchamps)
04. Trois chansons de Bilitis, L. 90: 3. Le Tombeau des naïades (Arr. by Jean-Luc Fafchamps)
05. À Chloris (Arr. by Jean-Luc Fafchamps)
06. Toi (Arr. by Jean-Luc Fafchamps)
07. Tueuses (Arr. by Jean-Luc Fafchamps) Explicit
08. Fiançailles pour rire, FP 101: IV. Mon cadavre est doux comme un gant (Arr. by Jean-Luc Fafchamps)
09. Mon Dieu (Arr. by Jean-Luc Fafchamps)
10. Et même après je t'aimerai (Arr. by Jean-Luc Fafchamps) Explicit
11. Je voudrais pas crever Explicit
12. Reflets (Arr. by Jean-Luc Fafchamps)
13. Fiançailles pour rire, FP 101: V. Violon (Arr. by Jean-Luc Fafchamps)
14. Conne (Arr. by Jean-Luc Fafchamps) Explicit
15. Là-haut sur la butte (Arr. by Jean-Luc Fafchamps)
16. Mourir sur scène (Arr. by Jean-Luc Fafchamps)
17. Résiste (Arr. by Jean-Luc Fafchamps)

Kiki of Montparnasse immortalised by Man Ray: the suggestive curves of a woman, her back with the two sound holes of a violin painted on the body itself, thus turning this feminine body into the most irresistible of musical instruments.

Daughter of nothing who wants everything, a free woman unencumbered with conventions, Kiki is the epitome of feminine emancipation and is the inspiration for this discographic programme that illustrates the passage of song to chanson in the course of the twentieth century.

The multiple facets of femininity, the audacity, the sensuality embodied by this natural, airy singing within this improbable trio should not deceive us. It is truly a genuine declaration of love that is sung on this recording.

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