Hanni Liang - Voices for Solo Piano (2024) [Hi-Res]

Tracklist

01. Sonata No. 2 in C-Sharp Minor: I. Lento assai – Allegro assai – Allegro moderato
02. Sonata No. 2 in C-Sharp Minor: II. Andante
03. Sonata No. 2 in C-Sharp Minor: III. Finale: Presto con brio
04. I Wouldn't Normally Say
05. Variations in D-Flat Major on an Original Theme (of an Exceeding Dismal Nature): I. Thema (Rühig)
06. Variations in D-Flat Major on an Original Theme (of an Exceeding Dismal Nature): II. Variation I (Allegro)
07. Variations in D-Flat Major on an Original Theme (of an Exceeding Dismal Nature): III. Variation II (Quasi maestoso)
08. Variations in D-Flat Major on an Original Theme (of an Exceeding Dismal Nature): IV. Variation III (Lento)
09. Variations in D-Flat Major on an Original Theme (of an Exceeding Dismal Nature): V. Variation IV (Allegro à la Phyllis)
10. Variations in D-Flat Major on an Original Theme (of an Exceeding Dismal Nature): VI. Variation V (Andante con moto)
11. Variations in D-Flat Major on an Original Theme (of an Exceeding Dismal Nature): VII. Variation VI (Adagio)
12. Variations in D-Flat Major on an Original Theme (of an Exceeding Dismal Nature): VIII. Variation VII (Presto: wild und stürmisch
13. Variations in D-Flat Major on an Original Theme (of an Exceeding Dismal Nature): IX. Variation VIII & Finale (Allegro con brio)
14. Night Dances
15. Variations on ‘Awariguli’: I. Theme (Andante)
16. Variations on ‘Awariguli’: II. Variation I (Allegro)
17. Variations on ‘Awariguli’: III. Variation II (Allegro)
18. Variations on ‘Awariguli’: IV. Variation III (Con moto vivace)
19. Variations on ‘Awariguli’: V. Variation IV (Sostenuto)
20. Variations on ‘Awariguli’: VI. Variation V (Alla romance)
21. Variations on ‘Awariguli’: VII. Variation VI (Moderato)
22. Variations on ‘Awariguli’: VIII. Variation VII (Alla danza)
23. Variations on ‘Awariguli’: IX. Variation VIII (Allegro moderato)
24. Variations on ‘Awariguli’: X. Variation IX (Andante)
25. Variations on ‘Awariguli’: XI. Coda X (Vivace)
26. Cwicseolfor



A pioneer of new concert formats, using music to communicate and bring people together, Hanni Liang was long sceptical about the traditional role of recording in progressing an artist’s career. It was her discovery of Ethel Smyth – both as a composer and as a person and a woman, fighting without compromise – that sparked the inspiration that led to Voices.

In this album she has created a programme that both champions women’s voices that, without the determination of Smyth and others like her, might otherwise have been silent, and allows her to raise her own voice, reflecting both her European birth and upbringing and her Chinese roots.

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