Lindsay Flowers, Andrew Parker and Satoko Hayami - From the Sea to the Stars (2024) [Hi-Res]
Artist: Lindsay Flowers, Andrew Parker, Satoko Hayami
Title: From the Sea to the Stars
Year Of Release: 2024
Label: Navona
Genre: Classical
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 54:24
Total Size: 898 / 248 MB
WebSite: Album Preview
Tracklist:Title: From the Sea to the Stars
Year Of Release: 2024
Label: Navona
Genre: Classical
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 54:24
Total Size: 898 / 248 MB
WebSite: Album Preview
1. Lindsay Flowers & Andrew Parker – Prologue (01:46)
2. Lindsay Flowers & Andrew Parker – I. I Do Not Love You (04:00)
3. Lindsay Flowers & Andrew Parker – II. Your Hands Flew from My Mouth (02:03)
4. Lindsay Flowers & Andrew Parker – III. My Ugly Love (02:51)
5. Lindsay Flowers & Andrew Parker – IV. You Are the Daughter of the Sea (01:42)
6. Lindsay Flowers & Andrew Parker – V. I Crave (02:37)
7. Lindsay Flowers & Andrew Parker – VI. Don't Go Far Off (05:36)
8. Lindsay Flowers, Andrew Parker & Satoko Hayami – Brokenvention (04:30)
9. Lindsay Flowers, Andrew Parker & Satoko Hayami – Overheard on a Saltmarsh (08:11)
10. Lindsay Flowers, Andrew Parker & Satoko Hayami – I. Allegro (10:55)
11. Lindsay Flowers, Andrew Parker & Satoko Hayami – II. Rondo (07:47)
12. III. Sous les etoiles (02:21)
Outside of Russian ballets and Mozart symphonies, the oboe is an instrument that generally does not get a lot of credit. But on FROM THE SEA TO THE STARS, the instrument is thrust into the spotlight it deserves. The driving force? Accomplished American oboists Lindsay Flowers and Andrew Parker.
Center stage, it turns out, is a surprisingly merited place for the oboe and its bigger sister, the English horn — especially in contemporary composition. Flowers and Parker have curated a moody selection of beautiful, minimalist pieces that allow the respective instruments to shine on their own — accompanied only here and there by a pleasingly subtle piano. Delicate, lyrical, and utterly charming.
Center stage, it turns out, is a surprisingly merited place for the oboe and its bigger sister, the English horn — especially in contemporary composition. Flowers and Parker have curated a moody selection of beautiful, minimalist pieces that allow the respective instruments to shine on their own — accompanied only here and there by a pleasingly subtle piano. Delicate, lyrical, and utterly charming.
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