Pietro Delle Chiaie - Czerny: Complete Organ Music (2024) [Hi-Res]

Tracklist

01. Prelude and Fugue in D Minor, Op. 603 No. 61: I. Prelude. Lento Maestoso
02. Prelude and Fugue in D Minor, Op. 603 No. 61: II. Fugue. Moderato
03. Voluntary in B-Flat Major, Op. 627 No. 10
04. Voluntary in A-Flat Major, Op. 698 No. 7
05. Voluntary in G Minor, Op. 698 No. 9
06. Prelude and Fugue in C Major, Op. 603 No. 1: I. Prelude. Andante
07. Prelude and Fugue in C Major, Op. 603 No. 1: II. Fugue. Tempo Moderato
08. Voluntary in F Major, Op. 627 No. 2
09. Voluntary in B-Flat Major, Op. 698 No. 2
10. Voluntary in E-Flat Major, Op. 627 No. 1
11. Voluntary in C Minor, Op. 698 No. 11
12. Voluntary in B-Flat Major, Op. 698 No. 14
13. Prelude and Fugue in B-Flat Major, Op. 603 No. 2: I. Prelude. Andante
14. Prelude and Fugue in B-Flat Major, Op. 603 No. 2: II Fugue. Moderato
15. Voluntary in C Minor, Op. 627 No. 3
16. Voluntary in F Major, Op. 698 No. 1
17. Voluntary in C Major, Op. 698 No. 5
18. Voluntary in D Minor, Op. 627 No. 7
19. Voluntary in B-Flat Major, Op. 627 No. 6
20. Voluntary in G Minor, Op. 698 No. 15
21. Voluntary in F Major, Op. 627 No. 11
22. Voluntary in A-Flat Major, Op. 627 No. 8
23. Voluntary in E-Flat Major, Op. 698 No. 13
24. Voluntary in D Major, Op. 698 No. 10
25. Prelude and Fugue in D Major, Op. 603 No. 4: I. Prelude. Moderato
26. Prelude and Fugue in D Major, Op. 603 No. 4: II. Fugue. Maestoso
27. Voluntary in A Major, Op. 627 No. 5
28. Voluntary in C Major, Op. 627 No. 4
29. Voluntary in G Major, Op. 698 No. 4
30. Voluntary in C Major, Op. 698 No. 3
31. Voluntary in E Major, Op. 627 No. 9
32. Voluntary in G Major, Op. 698 No. 12
33. Prelude and Fugue in A Minor, Op. 607: I. Prelude. Andante Maestoso
34. Prelude and Fugue in A Minor, Op. 607: II. Fugue. Moderato
35. Voluntary in A Minor, Op. 698 No. 19
36. Voluntary in G Major, Op. 698 No. 20
37. Prelude and Fugue in A Minor, Op. 603 No. 3: I. Prelude. Andante
38. Prelude and Fugue in A Minor, Op. 603 No. 3: II. Fugue. Andante Maestoso
39. Voluntary in F Major, Op. 698 No. 16
40. Voluntary in D Major, Op. 627 No. 12
41. Prelude and Fugue in E-Flat Major, Op. 603 No. 5: I. Prelude. Andante Sostenuto
42. Prelude and Fugue in E-Flat Major, Op. 603 No. 5: II. Fugue. Andante Sostenuto
43. Voluntary in D Major, Op. 698 No. 17
44. Voluntary in E Major, Op. 698 No. 8
45. Voluntary in A-Flat Major, Op. 698 No. 7 (2)
46. Voluntary in E-Flat Major, Op. 698 No. 6

Carl Czerny is well known as Beethoven’s pupil and amanuensis; as a pianist and piano teacher in his own right, and even to pianophiles as an important composer for the instrument. Pietro Delle Chiaie now illuminates another side to this influential figure in early- Romantic Europe, with the first-ever complete collection of Czerny’s organ music.
Every serious piano student nowadays works their way through Czerny’s exhaustive collections of studies, which refine every aspect of piano technique. As a former student, however, Franz Liszt regarded Czerny’s creative abilities highly enough to invite him in 1837 to contribute to a jointly composed piece, the Hexameron, alongside the likes of Chopin and Thalberg.
The works for organ collected here were published in London during the following years, at a transitional time both for organ-building and more widely for organ music, as it gradually evolved from Baroque models and embraced Romantic forms and harmonies.
All the same, the works necessarily fulfilled a liturgical purpose within church music. Czerny’s organ music is divided between preludes and fugues, and voluntaries, both of which could be played at either end of a Protestant service, or during the taking of Communion.
Contributing to the Bach revival led by Mendelssohn, the Preludes and Fugues demonstrate not only Czerny’s deft handling of the form but also his interest in being part of the greater lineage of keyboard composers.
As fitting their purpose, the Voluntaries are mostly brief and reflective in mood: a counterpart to the Songs without Words which had brought Mendelssohn such success with amateur pianists.
Shrewdly, Czerny wrote for the organ not with a huge Gothic instrument in mind, but the kind of one- and two-manual instruments to be found in churches across England and northern Europe. For this new recording, Pietro Delle Chiaie has selected a slightly larger modern counterpart in Italy: the two-manual organ at the Church of St Michael the Archangel, Rocca Massima: the booklet includes a thorough introduction to Czerny’s organ music and a full specification for the organ.
Pietro Delle Chiaie is himself the titular organist and chapel master at the Basilica Cathedral of San Pietro Apostolo in Frascati (Rome).

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