Gerry Hemingway - Chamber Works (1999)
Artist: Gerry Hemingway, James Baker, Mark Dresser, Marty Ehrlich, Joshua Gordon, Min-Young Kim, Sara Parkins, David Taylor, Liuh-Wen Ting, Cuong Vu, Lawrence Wolf
Title: Chamber Works
Year Of Release: 1999
Label: Tzadik
Genre: Classical, Jazz
Quality: FLAC (tracks)
Total Time: 1:00:30
Total Size: 244 MB
WebSite: Album Preview
Tracklist:Title: Chamber Works
Year Of Release: 1999
Label: Tzadik
Genre: Classical, Jazz
Quality: FLAC (tracks)
Total Time: 1:00:30
Total Size: 244 MB
WebSite: Album Preview
1. Contigualis Part 1 1999 (15:39)
2. Contigualis Part 2 1999 (08:17)
3. Aurora 1998 (13:45)
4. Circus 1998 (09:51)
5. The Visiting Tank 1999 (12:39)
Personnel:
James Baker: Percussion
Mark Dresser: Contrabass
Marty Ehrlich: Clarinet, Bass Clarinet
Joshua Gordon: Cello
Gerry Hemingway: Sampler
Min-Young Kim: Violin
Sara Parkins: Violin
David Taylor: Bass Trombone
Liuh-Wen Ting: Viola
Cuong Vu: Trumpet
Lawrence Wolf: Piano
It is, perhaps, wrong to talk about an artist charting new directions in his work after he has contributed to nearly 100 albums and countless performances over the course of a multi-decade career. Nevertheless, Gerry Hemingway's Chamber Works does mark a few firsts for the avant garde jazz percussionist and composer. "Contigualis" is the first piece that he has composed for string quartet, and it sets the tone for an album that journeys closer to the 20th century classical idiom than any of his albums have traversed before. Almost never discordant or harsh, Hemingway allows each instrument to shine as a pure force -- even within the context of the quartet, the performers often have extended solos. The ensembles expand to quintets and sextets for the remaining pieces, with some of the most talented musicians from the realm of contemporary music making contributions. Violinist Sara Parkins is featured on every track and provides a clear lead. Joshua Gordon also provides the backbone for many songs on the cello. Hemingway himself makes an interesting contribution on sampler on the last track, "The Visiting Tank." His influence is felt throughout. This is an interesting album that makes for pleasant listening, yet contains the depth one expects of a musician with Hemingway's pedigree.