Santana - Sacred Fire: Live In South America (1993)
Artist: Santana
Title: Sacred Fire: Live In South America
Year Of Release: 1993
Label: Polydor – 521 082-2
Genre: Classic Rock, Blues Rock, Jazz, Fusion, Latin
Quality: 320 / FLAC (tracks+.cue,log artwork)
Total Time: 1:17:00
Total Size: 196 / 549 Mb
WebSite: Album Preview
Tracklist: Title: Sacred Fire: Live In South America
Year Of Release: 1993
Label: Polydor – 521 082-2
Genre: Classic Rock, Blues Rock, Jazz, Fusion, Latin
Quality: 320 / FLAC (tracks+.cue,log artwork)
Total Time: 1:17:00
Total Size: 196 / 549 Mb
WebSite: Album Preview
01. Angels All Around Us (1:58)
02. Vive La Vida [Life is For Living] (4:18)
03. Esperando (5:58)
04. No One To Depend On (4:32)
05. Black Magic Woman/Gypsy Queen (8:51)
06. Oye Como Va (5:09)
07. Samba Pa Ti (6:43)
08. Guajira (6:14)
09. Make Somebody Happy (7:11)
10. Toussaint L'overture (6:52)
11. Soul Sacrifice/Don't Try This At Home (7:27)
12. Europa (6:12)
13. Jin-Go-Lo-Ba (5:40)
Sacred Fire: Live in South America is an album by Santana, released in 1993. This album is dedicated to the life of Cesar Chavez. The title, "Live in South America", is not correct, as the location of the concert production, Mexico City, is not located on the continent of South America.
For their third live album, Santana introduced a new bass player, Myron Dove, and added guitarist Jorge Santana (Carlos Santana's brother), and singer Vorriece Cooper to bring the band up to nine members. Adopting the mantle of Bob Marley, the band played "Esperando," which borrowed Marley's characteristic audience chant. Much of the album, however, is given over to repeating Santana's earliest hits -- "No One to Depend On," "Black Magic Woman," "Soul Sacrifice," -- which should please the band's new record label (it's always good to have versions of the hits in your catalog), but which makes the album inessential for fans. Sacred Fire spent one week at number 181 in the charts, the worst performance ever for a Santana album.
For their third live album, Santana introduced a new bass player, Myron Dove, and added guitarist Jorge Santana (Carlos Santana's brother), and singer Vorriece Cooper to bring the band up to nine members. Adopting the mantle of Bob Marley, the band played "Esperando," which borrowed Marley's characteristic audience chant. Much of the album, however, is given over to repeating Santana's earliest hits -- "No One to Depend On," "Black Magic Woman," "Soul Sacrifice," -- which should please the band's new record label (it's always good to have versions of the hits in your catalog), but which makes the album inessential for fans. Sacred Fire spent one week at number 181 in the charts, the worst performance ever for a Santana album.
