Roma Tre Orchestra, Sieva Borzak - French Elegy (2024) [Hi-Res]

  • 17 Dec, 16:17
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Title: French Elegy
Year Of Release: 2024
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
Total Time: 01:10:45
Total Size: 322 mb / 1.24 gb
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Tracklist

01. Massenet Claire de lune (from Werther)
02. Ravel Pavane pour une infante defunte, M.19 (Transcription by J. Jeamian)
03. Saint-Saens Elegie in D Major, Op. 143
04. Faure Elegie, Op. 24
05. Vieuxtemps Elegie, Op. 30
06. Massenet Elegie
07. Debussy Suite bergamasque, L.75 (Transcription by Wolfgang Renz) I. Prelude
08. Debussy Suite bergamasque, L.75 (Transcription by Wolfgang Renz) II. Minuetto
09. Debussy Suite bergamasque, L.75 (Transcription by Wolfgang Renz) III. Claire de lune
10. Debussy Suite bergamasque, L.75 (Transcription by Wolfgang Renz) IV. Passepied
11. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) I. Introduction et marche royale du lion
12. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) II. Poules et coqs
13. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) III. Hemiones (Animaux veloces)
14. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) IV. Tortues
15. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) V. Elephant
16. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) VI. Kangourous
17. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) VII. Aquarium
18. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) VIII. Personnages a longues oreilles
19. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) IX. Le coucou au fond des bois
20. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) X. Voliere
21. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) XI. Pianistes
22. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) XII. Fossiles
23. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) XIII. Cygne
24. Saint-Saens La carnaval des animaux (Transcription by Wolfgang Renz) XIV. Finale

Coming into French and English from the Greek élegos (‘lament’), an elegy (élégie) is a poetic or musical composition expressing sorrow or lamentation, typically mourning the loss of a loved one or reflecting on themes of grief and melancholy.

Massenet’s famous ‘Clair de lune’, presented here in an arrangement by the composer himself, envelops us in a dreamlike atmosphere, with the piano painting a delicate lunar landscape permeated by a subtle melancholy. The original is one of the most touching scenes in the opera Werther, when the protagonist feels his love for Charlotte rising within him.

Contrary to popular belief, Ravel’s Pavane pour une infante défunte is not dedicated to a departed soul. Rather, it is a nostalgic evocation of an imaginary childhood, rich in charm and mystery. Joseph Jemain’s orchestration adds, if possible, further depth and suggestiveness to Ravel’s music by introducing the piano into the ensemble, the protagonist of Ravel’s original version.

The violin and piano engage in a dialogue of deep contemplation in Saint-Saëns’s Élégie in D, Op.143. The poignant melody and refined harmony express feelings of loss and consolation. This very intense and moving piece has secured an important place in the violin repertoire.

The cello assumes the role of narrator in Fauré’s Élégie, Op.24 recounting a story of pain and hope with great expressive intensity. A highly lyrical and touching piece, it is distinguished by its expressive writing and singable melody.

Debussy’s Suite bergamasque transports us to a world of dreams and suggestions. Through four evocative dances with a Renaissance and Baroque flavour, the orchestra leads us on a musical journey rich in charm and delicacy. Wilhelm Renz’s orchestration makes Debussy’s picturesque music even more vivid. Renz is also the arranger of the Saint-Saëns Carnival of the Animals featured here. His orchestral version adds brilliance and colour to the composer’s music while maintaining its original spirit of fun and irony, streamlining the orchestration in some places and adding elements for a richer, more layered sound in others.


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