Sonny Stitt - Salt & Pepper (Remastered) (2013) [Hi-Res]

  • 19 Dec, 13:51
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Artist:
Title: Salt & Pepper (Remastered)
Year Of Release: 2013
Label: Impulse!
Genre: Jazz
Quality: FLAC (tracks) 24/96, FLAC (tracks)
Total Time: 00:35:31
Total Size: 701 / 205 MB
WebSite:

Tracklist:

01. Sonny Stitt - Salt And Pepper (7:51)
02. Sonny Stitt - S'posin' (6:21)
03. Sonny Stitt - Theme From Lord Of The Flies (2:26)
04. Sonny Stitt - Perdido (12:40)
05. Sonny Stitt - StarDust (6:15)

This 72-minute album starts off with one of the underrated gems of the 1960s, an exciting match-up of tenors Sonny Stitt and Paul Gonsalves. Other than the brief throwaway "Theme from Lord of the Flies" (producer Bob Thiele's idea), this is very much a jam session, with "Salt and Pepper" being a heated midtempo blues and the two competitive tenors stretching out on "S'posin'" and a lengthy "Perdido." Actually, the most memorable selection from the date is the one on which Stitt switches to alto, "Stardust." His beautiful playing behind Gonsalves' warm melody statement raises the session to the classic level. Also included on this consistently exciting LP is a Sonny Stitt quartet set originally titled Now! Although Stitt (doubling on alto and tenor) recorded scores of quartet sessions, he sounds particularly inspired here, especially on such offbeat material as "Estralita," the Dixieland standard "Please Don't Talk About Me When I'm Gone," and "My Mother's Eyes." Highly recommended to bebop and straight-ahead jazz fans.
Recorded for the Impulse! label in 1963 and very much underrated since, “Salt and Pepper” is an excellent pairing of tenors Sonny Stitt and Paul Gonsalves. Most of the album has the spontaneous feel of a live jam session where two great musicians pass the night trading licks.
This record starts off with one of the underrated gems of the 1960s, an exciting matchup by tenors Sonny Stitt and Paul Gonsalves. This is very much a jam session set, with “Salt And Pepper” being a heated medium-tempo blues and the two competitive tenors stretching out on “S’posin'” and a lengthy “Perdido.” Actually, the most memorable selection from the date is the one on which Stitt switches to alto, “Stardust.” His beautiful playing behind Gonsalves’ warm melody statement raises the session to the classic level. Highly recommended to bebop and straight-ahead jazz fans.