Aigars Reinis - Rihards Dubra: Music for Organ (2025) Hi-Res

Artist: Aigars Reinis, Ilze Reine
Title: Rihards Dubra: Music for Organ
Year Of Release: 2025
Label: SKANI
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (96 KHz / tracks)
Total Time: 101:52 min
Total Size: 417 MB / 1,8 GB
WebSite: Album Preview
Tracklist:Title: Rihards Dubra: Music for Organ
Year Of Release: 2025
Label: SKANI
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (96 KHz / tracks)
Total Time: 101:52 min
Total Size: 417 MB / 1,8 GB
WebSite: Album Preview
CD1:
01. Ostinato, Fuga e Quasi Una Toccata
02. Mūžīgo pakalnu ilgošanās
03. Toccata e Fuga
04. Dīviškō Rūze
05. Toccata
CD2:
01. Fantāzija un fūga
02. Dievmātes skatiena pieskāriens
03. Piedodošās gaismas litānija
04. Meditācija mistiskās rozes gaismā
05. Petite symphonie pour orgue à quatre mains
This double album of Dubra's organ music, performed by Ilze and Aigars Reinis on the famous F.E. Walcker organ of Riga Cathedral, was recorded in the composer's anniversary year, collecting everything he has composed for organ, thus far.
Regarding further collaboration with the organ, the composer himself says, "I believe that it will continue...
"Organs have always been important to me, even when not considering my childhood during the occupation, my grandparents' involvement with the church, even then, allowed me the opportunity to feel and love the magical sound of this instrument. And that has slowly developed... In the 1990s, in an unexpected way, I became an organist, and then I felt this closeness even more. Then began my first attempts to compose for this instrument, and this continues to this day, and, in a surprising way, it reveals things that I would have been doubtful about had I not had this relationship with the organ, for example, how fantastic it is to write fugues... I believe that will continue."
Regarding further collaboration with the organ, the composer himself says, "I believe that it will continue...
"Organs have always been important to me, even when not considering my childhood during the occupation, my grandparents' involvement with the church, even then, allowed me the opportunity to feel and love the magical sound of this instrument. And that has slowly developed... In the 1990s, in an unexpected way, I became an organist, and then I felt this closeness even more. Then began my first attempts to compose for this instrument, and this continues to this day, and, in a surprising way, it reveals things that I would have been doubtful about had I not had this relationship with the organ, for example, how fantastic it is to write fugues... I believe that will continue."