Billie Holiday - The Greatest Hits (2025) Hi Res
Artist: Billie Holiday
Title: The Greatest Hits
Year Of Release: 2025
Label: ZOROTY
Genre: Jazz, Vocal Jazz, Blues
Quality: 320 kbps | FLAC (tracks) | 24Bit/44 kHz FLAC
Total Time: 01:14:44
Total Size: 172 mb | 335 mb | 702 mb
WebSite: Album Preview
Tracklist:Title: The Greatest Hits
Year Of Release: 2025
Label: ZOROTY
Genre: Jazz, Vocal Jazz, Blues
Quality: 320 kbps | FLAC (tracks) | 24Bit/44 kHz FLAC
Total Time: 01:14:44
Total Size: 172 mb | 335 mb | 702 mb
WebSite: Album Preview
01. Billie Holiday - P.S. I Love You (Remastered)
02. Billie Holiday - We'll Be Together Again (Remastered)
03. Billie Holiday - I Didn't Know What Time It Was (Remastered)
04. Billie Holiday - Trav'lin' Light (Remastered)
05. Billie Holiday - Good Morning. Heartache (Remastered)
06. Billie Holiday - Body and Soul (Remastered)
07. Billie Holiday - These Foolish Things (Remastered)
08. Billie Holiday - Willow Weep for Me (Remastered)
09. Billie Holiday - Ll Wind (Remastered)
10. Billie Holiday - Come Rain or Come Shine (Remastered)
11. Billie Holiday - I'm a Fool to Want You (Remastered)
12. Billie Holiday - Gloomy Sunday (Remastered)
13. Billie Holiday - Do Nothin' Till You Hear from Me (Remastered)
14. Billie Holiday - I Thought About You (Remastered)
15. Billie Holiday - All the Way (Remastered)
16. Billie Holiday - I Loves You Porgy (Remastered)
17. Billie Holiday - I'll Be Seeing You (Remastered)
18. Billie Holiday - Lover Man (Remastered)
19. Billie Holiday - Strange Fruit (Commodore Version [Remastered])
The first popular jazz singer to move audiences with the intense, personal feeling of classic blues, Billie Holiday changed the art of American pop vocals forever. More than a half-century after her death, it's difficult to believe that prior to her emergence, jazz and pop singers were tied to the Tin Pan Alley tradition and rarely personalized their songs; only blues singers like Bessie Smith and Ma Rainey actually gave the impression they had lived through what they were singing. Billie Holiday's highly stylized reading of this blues tradition revolutionized traditional pop, ripping the decades-long tradition of song plugging in two by refusing to compromise her artistry for either the song or the band. She made clear her debts to Bessie Smith and Louis Armstrong (in her autobiography she admitted, "I always wanted Bessie's big sound and Pops' feeling"), but in truth her style was virtually her own, quite a shock in an age of interchangeable crooners and band singers.