Simon & Garfunkel - Live In Concert (1990)
Artist: Simon & Garfunkel
Title: Live In Concert
Year Of Release: 1990
Label: Universe – UN 3 002 / CD, Unofficial Release, Stereo
Genre: Folk Rock, Soft Rock, Acoustic
Quality: 320 / FLAC (tracks+.cue,log artwork)
Total Time: 1:04:44
Total Size: 161 / 325 Mb
WebSite: Album Preview
Tracklist: Title: Live In Concert
Year Of Release: 1990
Label: Universe – UN 3 002 / CD, Unofficial Release, Stereo
Genre: Folk Rock, Soft Rock, Acoustic
Quality: 320 / FLAC (tracks+.cue,log artwork)
Total Time: 1:04:44
Total Size: 161 / 325 Mb
WebSite: Album Preview
01. Sparrow (6:24)
02. Homeward Bound (3:04)
03. You Don't Know Where Your Interest Lies (2:36)
04. A Most Peculiar Man (2:41)
05. Red Rubber Ball (3:19)
06. The Dangling Conversation (5:14)
07. The 59th Bridge Song (2:13)
08. Richard Cory (4:22)
09. Benedictus (4:15)
10. Blessed (6:06)
11. A Poem On The Underground Wall (2:32)
12. I Am A Rock (3:49)
13. Anji (3:15)
14. The Sound Of Silence (5:14)
15. For Emily Whenever I May Find Her (2:42)
16. The Church Is Burning (4:30)
17. Wednesday Morning 3 A.M. (2:37)
Live In New York City, 1966. Track 7 is mislabeled as "The 58th Bridge Song".
Meanwhile, director Mike Nichols, then filming The Graduate, had become fascinated with Simon & Garfunkel's records, listening to them extensively before and after filming. He met Davis to ask for permission to license Simon & Garfunkel music for his film. Davis viewed it as a perfect fit and envisioned a best-selling soundtrack album.[64] Simon was not as receptive and was cautious of "selling out". After meeting Nichols and being impressed by his wit and the script, he agreed to write new songs for the film. Leonard Hirshan, a powerful agent at William Morris, negotiated a deal that paid Simon $25,000 to submit three songs to Nichols and producer Lawrence Turman. When Nichols was not impressed by Simon's songs "Punky's Dilemma" and "Overs", Simon and Garfunkel offered another, incomplete
Meanwhile, director Mike Nichols, then filming The Graduate, had become fascinated with Simon & Garfunkel's records, listening to them extensively before and after filming. He met Davis to ask for permission to license Simon & Garfunkel music for his film. Davis viewed it as a perfect fit and envisioned a best-selling soundtrack album.[64] Simon was not as receptive and was cautious of "selling out". After meeting Nichols and being impressed by his wit and the script, he agreed to write new songs for the film. Leonard Hirshan, a powerful agent at William Morris, negotiated a deal that paid Simon $25,000 to submit three songs to Nichols and producer Lawrence Turman. When Nichols was not impressed by Simon's songs "Punky's Dilemma" and "Overs", Simon and Garfunkel offered another, incomplete
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