The Cannonball Adderley Quintet, Nancy Wilson - Save Your Love for Me (2013) Hi-Res
Artist: The Cannonball Adderley Quintet, Nancy Wilson, Cannonball Adderley
Title: Save Your Love for Me
Year Of Release: 1962 / 2013
Label: BNF Collection
Genre: Jazz, Vocal
Quality: FLAC (tracks) / FLAC (tracks) 24bit-96kHz (D.Booklet)
Total Time: 42:12
Total Size: 214 / 776 Mb
WebSite: Album Preview
Tracklist: Title: Save Your Love for Me
Year Of Release: 1962 / 2013
Label: BNF Collection
Genre: Jazz, Vocal
Quality: FLAC (tracks) / FLAC (tracks) 24bit-96kHz (D.Booklet)
Total Time: 42:12
Total Size: 214 / 776 Mb
WebSite: Album Preview
01. Save Your Love for Me (2:45)
02. Teaneck (4:32)
03. Nerver I Will Marry (2:20)
04. I Can't Get Started (4:59)
05. The Old Country (3:02)
06. One Man's Dream (5:12)
07. Happy Talk (2:20)
08. Never Say Yes (3:59)
09. The Masquerade Is Over (4:20)
10. Unit 7 (6:05)
11. A Sleepin' Bee (2:38)
Nancy Wilson/Cannonball Adderley is a studio album by Nancy Wilson and Cannonball Adderley issued in February 1962 by Capitol Records. The album rose to No. 30 on the Billboard Top LPs chart.
Wilson considered her vocals on the album "as a sort of easy-going third horn" (Wilson quoted in the liner notes). All tracks were recorded in New York City, those with Wilson on June 27 and 29, 1961, and the instrumental tracks on August 23 and 24, 1961.
An excellent collaboration of Nancy Wilson's voice with Cannonball Adderley's alto sax from the early '60s. While this 1961 recording was the first time Wilson was with Adderley in the studio, it was not the first time they had worked together. After singing with Rusty Bryant's band, Wilson had worked with Adderley in Columbus, Ohio. (It was there that Adderley encouraged her to go to N.Y.C. to do some recording, eventually leading to this session.) Not entirely a vocal album, five of the 12 cuts are instrumentals. A highlight is the gentle cornet playing of Nat Adderley behind Wilson, especially on "Save Your Love for Me" and "The Old Country." Cannonball Adderley's swinging, boppish sax is heard to excellent effect throughout. Joe Zawinul's work behind Wilson on "The Masquerade Is Over" demonstrates that he is a talented, sensitive accompanist. On the instrumental side, "Teaneck" and "One Man's Dream" are especially good group blowing sessions. On the other end of the spectrum, Adderley's alto offers a lovely slow tempo treatment of the Vernon Duke-Ira Gershwin masterpiece "I Can't Get Started." To keep the listeners on their musical toes, the first couple of bars of "Save Your Love for Me" are quotes from "So What" from the Miles Davis Sextet's seminal Kind of Blue session. Given the play list and the outstanding artists performing it, why any serious jazz collection would be without this classic album is difficult to comprehend.
Wilson considered her vocals on the album "as a sort of easy-going third horn" (Wilson quoted in the liner notes). All tracks were recorded in New York City, those with Wilson on June 27 and 29, 1961, and the instrumental tracks on August 23 and 24, 1961.
An excellent collaboration of Nancy Wilson's voice with Cannonball Adderley's alto sax from the early '60s. While this 1961 recording was the first time Wilson was with Adderley in the studio, it was not the first time they had worked together. After singing with Rusty Bryant's band, Wilson had worked with Adderley in Columbus, Ohio. (It was there that Adderley encouraged her to go to N.Y.C. to do some recording, eventually leading to this session.) Not entirely a vocal album, five of the 12 cuts are instrumentals. A highlight is the gentle cornet playing of Nat Adderley behind Wilson, especially on "Save Your Love for Me" and "The Old Country." Cannonball Adderley's swinging, boppish sax is heard to excellent effect throughout. Joe Zawinul's work behind Wilson on "The Masquerade Is Over" demonstrates that he is a talented, sensitive accompanist. On the instrumental side, "Teaneck" and "One Man's Dream" are especially good group blowing sessions. On the other end of the spectrum, Adderley's alto offers a lovely slow tempo treatment of the Vernon Duke-Ira Gershwin masterpiece "I Can't Get Started." To keep the listeners on their musical toes, the first couple of bars of "Save Your Love for Me" are quotes from "So What" from the Miles Davis Sextet's seminal Kind of Blue session. Given the play list and the outstanding artists performing it, why any serious jazz collection would be without this classic album is difficult to comprehend.