Bon Music Vision - The Emotion Industry - Reworks Addendum (2025)

The Emotion Industry - Spatial Audio Reworks
6 Reimagined Works for an Immersive Installation by Bon Music Vision
About Bon Music Vision
Bon Music Vision (BMV) is the collaborative force of Yerosha Windrich (Swiss, Indonesian, Greek) and Elfed Alexander Morris (Welsh, Ghanaian, Native Canadian), transmedia artists operating at the intersection of avant-garde composition, visual futurism, and experimental storytelling. Their work reflects a richly layered approach to sound and identity--merging diasporic histories with cutting-edge digital production.
BMV's practice spans across sonic installation, speculative film, spatial audio, and visual albums, redefining the boundaries of contemporary art and music. Their contributions have been recognized by institutions such as The Royal Society of Arts, the British Arts Council, Factory Fifteen, McQ (Alexander McQueen), and Nowness.
Musically, they've produced for and collaborated with leading-edge labels including Warp Records, Hyperdub, and Leirerverlag, with releases involving artists on Transgressive Records, True Panther, and 4AD. Their recent performances at Zaha Hadid Architects' Portal installation, Mexico Art Week (Studio Berlin), and Alexandra Palace Theatre (FutureSound's 5th Anniversary), along with their installations at 180 The Strand and V&A East, position BMV at the vanguard of sonic and immersive innovation.
Invited by Professor Leila Adu, BMV participated in NYU's Critical Sonic Practice Symposium: Elegy, where they engaged with figures such as Jason King, Isabelia Herrera, Debit, and Dr. Kwami Coleman. Their contribution to the Radical Archivists panel underscored their commitment to preserving and advancing the avant-garde through transdisciplinary discourse.
Their curatorial work at Reference Point 180, featuring performances by Donna Kim, Holland Andrews, and Damsel Elysium, affirms their dedication to cultivating experimental dialogue across disciplines.