Michael Korstick - Beethoven: Bagatelles & Variations (2025) [Hi-Res]

Tracklist

01. 32 Variations in C Minor, WoO 80
02. 7 Bagatelles, Op. 33: No. 1 in E-Flat Major
03. 7 Bagatelles, Op. 33: No. 2 in C Major
04. 7 Bagatelles, Op. 33: No. 3 in F Major
05. 7 Bagatelles, Op. 33: No. 4 in A Major
06. 7 Bagatelles, Op. 33: No. 5 in C Major
07. 7 Bagatelles, Op. 33: No. 6 in D Major
08. 7 Bagatelles, Op. 33: No. 7 in A-Flat Major
09. Allegretto in C Minor, WoO 53
10. 6 Variations in D Major, Op. 76
11. 11 Bagatelles, Op. 119: No. 1 in G Minor
12. 11 Bagatelles, Op. 119: No. 2 in C Major
13. 11 Bagatelles, Op. 119: No. 3 in D Major
14. 11 Bagatelles, Op. 119: No. 4 in A Major
15. 11 Bagatelles, Op. 119: No. 5 in C Minor
16. 11 Bagatelles, Op. 119: No. 6 in G Major
17. 11 Bagatelles, Op. 119: No. 7 in C Major
18. 11 Bagatelles, Op. 119: No. 8 in C Major
19. 11 Bagatelles, Op. 119: No. 9 in A Minor
21. 11 Bagatelles, Op. 119: No. 11 in B-Flat Major
22. 24 Variations on "Venni amore", WoO 65



Around the same time that Michael Korstick caused a sensation with the first and, to date, only recording of all Beethoven piano concertos (555 447-2), these recordings were also made. They shed light on the life of the "Titan" from the opposing perspectives of fashionable accessories and clever miniatures. These two aspects interweave in reverse chronological order: the Variations in C Minor from 1806 serve as the prelude, while the 24 variations on Righini’s Venni Amore from 1791 conclude the portrait. In between, musical snapshots of the Bagatelles Op. 33 (1802) and Op. 119 (1822) frame the variations on an original theme, Op. 76 (1809), which would later become the Turkish March. In every piece, from the smallest vignette to the most intricate keyboard trick, the boundless imagination of one who set out to instill fear is at work.

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