Carlos Caires - Os Sons em Volta (2025) [Hi-Res]
Artist: Carlos Caires
Title: Os Sons em Volta
Year Of Release: 2025
Label: Artway
Genre: Classical
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 2:08:48
Total Size: 2.19 GB / 540 MB
WebSite: Album Preview
Tracklist:Title: Os Sons em Volta
Year Of Release: 2025
Label: Artway
Genre: Classical
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 2:08:48
Total Size: 2.19 GB / 540 MB
WebSite: Album Preview
1. Os sons em volta, for octet and electronics (07:25)
2. Uníssono, for nine instruments and electronics (05:32)
3. Crossfade (08:52)
4. Quattro, for percussion ensemble and live electronics: I. Winter (04:20)
5. Quattro, for percussion ensemble and live electronics: II. Spring (03:16)
6. Quattro, for percussion ensemble and live electronics: III. Summer (02:26)
7. Quattro, for percussion ensemble and live electronics: IV. Autumn (03:03)
8. Horizon, for string quartet and electronics: I. (dawn...), (wake up...), (break...) (05:58)
9. Horizon, for string quartet and electronics: II. (the daily grind...), (discussion...), (twilight...) (06:39)
10. SAH, for flute, guitar and electronics (07:45)
11. Propagation, for mixed quintet and electronics (09:06)
12. All-in-one, for large ensemble and electronics (04:42)
13. Painting Wordpainting, for large ensemble, choir and live electronics (13:19)
14. Procissão, for wind band (08:25)
15. Instante, for orchestra and electronics (10:10)
16. Canto o presente, e também o passado e o futuro, for choir, recitant and electronics (09:05)
17. Pianissimo, for piano, wind band and electronics (10:09)
18. All-in-One expanded, for orchestra and electronics (Live) (08:31)
The collection of works in this double CD spans nearly 20 years, from recent pieces composed at the start of this project in 2022 to Quattro (2004) for percussion and electronics—marking the beginning of electronics in my work. The selection and organization of the pieces reflect this journey, diversifying the listening experience with various chamber formations, including duets, quartets, wind orchestra, symphony orchestra, as well as concertante, choral, and choral-instrumental music.
Despite the diversity and natural evolution of language over the years, there is an aesthetic and stylistic coherence. All pieces, except one on each CD, include electronics, exploring interaction with acoustic instruments. The use of electronics varies: it can lead the musical discourse, complement harmonically, expand timbre like a super-instrument, or evoke soundscapes. The album reflects a balance between the acoustic and the electronic.
In addition to renowned orchestras and choirs, most works were performed by ad-hoc ensembles of musicians and conductors I have collaborated with before. The electronics were revised to refine the final mix.
Despite the diversity and natural evolution of language over the years, there is an aesthetic and stylistic coherence. All pieces, except one on each CD, include electronics, exploring interaction with acoustic instruments. The use of electronics varies: it can lead the musical discourse, complement harmonically, expand timbre like a super-instrument, or evoke soundscapes. The album reflects a balance between the acoustic and the electronic.
In addition to renowned orchestras and choirs, most works were performed by ad-hoc ensembles of musicians and conductors I have collaborated with before. The electronics were revised to refine the final mix.
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