Sheku Kanneh-Mason - Shostakovich: Cello Concerto No. 2; Britten: Cello Sonata (2025) [Hi-Res]

Artist: Sheku Kanneh-Mason, Isata Kanneh-Mason, John Wilson, Sinfonia Of London
Title: Shostakovich: Cello Concerto No. 2; Britten: Cello Sonata
Year Of Release: 2025
Label: Decca
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:20:23
Total Size: 302 MB / 1.31 GB
WebSite: Album Preview
Tracklist:Title: Shostakovich: Cello Concerto No. 2; Britten: Cello Sonata
Year Of Release: 2025
Label: Decca
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:20:23
Total Size: 302 MB / 1.31 GB
WebSite: Album Preview
1. Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: I. Largo (12:30)
2. Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto (4:37)
3. Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: III. Allegretto (14:55)
4. Britten: Cello Sonata in C Major, Op. 65: I. Dialogo. Allegro (6:09)
5. Britten: Cello Sonata in C Major, Op. 65: II. Scherzo-Pizzicato. Allegretto (2:24)
6. Britten: Cello Sonata in C Major, Op. 65: III. Elegia. Lento (7:31)
7. Britten: Cello Sonata in C Major, Op. 65: IV. Marcia. Energico (2:02)
8. Britten: Cello Sonata in C Major, Op. 65: V. Moto perpetuo. Presto (2:31)
9. Shostakovich: Cello Sonata in D Minor, Op. 40: I. Allegro non troppo – Largo (12:13)
10. Shostakovich: Cello Sonata in D Minor, Op. 40: II. Allegro (3:05)
11. Shostakovich: Cello Sonata in D Minor, Op. 40: III. Largo (8:32)
12. Shostakovich: Cello Sonata in D Minor, Op. 40: IV. Allegro (3:57)
Decca Classics proudly announces Shostakovich & Britten, the new album from internationally acclaimed cellist Sheku Kanneh-Mason, set for release on 9th May 2025. Featuring Shostakovich’s Cello Concerto No. 2, performed with John Wilson and the Sinfonia of London, alongside the cello sonatas of Shostakovich and Britten, this deeply personal recording pays tribute to cellist Mstislav Rostropovich, the towering figure who inspired both composers—and Kanneh-Mason himself.
Sheku Kanneh-Mason has a long-standing connection and affinity to Rostropovich and Shostakovich. His 2018 debut album, Inspiration, featured Shostakovich’s First Cello Concerto —the piece that secured his victory at the 2016 BBC Young Musician competition and launched his international career. The album made chart history, making him the youngest cellist ever, at 18 years old, to break into the Top 20 of the UK Official Album Chart. Now, seven years later, he returns to the composer’s music with Cello Concerto No. 2, an introspective masterpiece composed for Rostropovich in 1966, and the Sonata in D minor, written in 1934 for Viktor Kubatsky. “This concerto is a piece I’ve loved and studied for a long time,” Kanneh-Mason reflects. “It contains some of the most beautiful and sweetest moments in music, as well as some of the darkest and bleakest. To have all of that within one piece is very powerful.”
Sheku Kanneh-Mason’s performance captures the raw vulnerability and unrelenting depth of Shostakovich’s writing. Reflecting on the recording process, he recalls: “It was very intense spending seven hours in a world of emotions that have a genuine effect on me. John is always searching for more, and the orchestra was invested in every note, which is really the dream for this piece.”
Sheku Kanneh-Mason has a long-standing connection and affinity to Rostropovich and Shostakovich. His 2018 debut album, Inspiration, featured Shostakovich’s First Cello Concerto —the piece that secured his victory at the 2016 BBC Young Musician competition and launched his international career. The album made chart history, making him the youngest cellist ever, at 18 years old, to break into the Top 20 of the UK Official Album Chart. Now, seven years later, he returns to the composer’s music with Cello Concerto No. 2, an introspective masterpiece composed for Rostropovich in 1966, and the Sonata in D minor, written in 1934 for Viktor Kubatsky. “This concerto is a piece I’ve loved and studied for a long time,” Kanneh-Mason reflects. “It contains some of the most beautiful and sweetest moments in music, as well as some of the darkest and bleakest. To have all of that within one piece is very powerful.”
Sheku Kanneh-Mason’s performance captures the raw vulnerability and unrelenting depth of Shostakovich’s writing. Reflecting on the recording process, he recalls: “It was very intense spending seven hours in a world of emotions that have a genuine effect on me. John is always searching for more, and the orchestra was invested in every note, which is really the dream for this piece.”