Carl Perkins, Oscar Moore & Gerald Wiggins - The Enchanting Guitar Of Oscar Moore. Vol.3 (Remastered) (2025) Hi-Res

  • 14 May, 22:38
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Artist:
Title: The Enchanting Guitar Of Oscar Moore. Vol.3 (Remastered)
Year Of Release: 2025
Label: Fresh Sound Records
Genre: Jazz
Quality: FLAC (tracks) / FLAC 24 Bit (44,1 KHz / tracks)
Total Time: 73:29 min
Total Size: 229 / 585 MB
WebSite:

Tracklist:

01. Sonny Boy (Remastered)
02. A Foggy Day
03. Beautiful Moons Ago
04. Oscar's Blues
05. Tangerine
06. I Can't Get Started
07. Angel Eyes
08. To A Wild Rose
09. It's A Pity To Say Goodnight
10. Sweet Lorraine
11. There's Small Hotel
12. If You Were Mine
13. Taborra
14. That's All
15. Body And Soul
16. It's Only A Paper Moon
17. Afterglow
18. Old King Cole
19. I'll Remember April
20. This Will Make You Laugh
21. Beautiful Moons Ago
22. Gee Baby, Ain't I Good To You
23. Come In Out Of The Rain
24. Sweet Lorraine
25. The Christmas Song

Oscar Moore (1916–1981) is best known as the guitarist of the original Nat King Cole Trio, a role he held for ten years beginning in 1937. His innovative use of harmony and chords was essential to the trio’s iconic sound, earning widespread acclaim from critics and fans alike. During this period, he won prestigious awards from Down Beat, Metronome, and Esquire magazines (1944–1948), firmly establishing himself as the premier jazz guitarist of his era.

After leaving Cole's trio in late 1947, Moore joined his brother’s group, Johnny Moore’s Three Blazers, for five years, marking a shift toward the R&B field with occasional forays into jazz. In 1952, he returned to leading small jazz combos, performing primarily in Los Angeles clubs. However, his career never regained its former prominence. Between 1952 and 1955, he recorded for labels such as Standard, Skylark, Tampa, Norgran, and Omegatape, leaving behind a small but impressive body of work.

Moore voluntarily stepped away from the music scene in the mid-to-late 1950s, amid the rise of rock and roll. In 1965, producer David Hubert persuaded him to record an album in tribute to the recently deceased Nat King Cole, marking Moore’s final recording.

Jazz guitar legend Kenny Burrell summarized Moore’s legacy in 1994: "Moore laid down the foundation for future guitarists in jazz and popular music."

—Jordi Pujol