David Goode - Mozart Organ Works (2025) [Hi-Res]
Artist: David Goode
Title: Mozart Organ Works
Year Of Release: 2025
Label: Signum Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:14:01
Total Size: 313 MB / 1.34 GB
WebSite: Album Preview
Tracklist:Title: Mozart Organ Works
Year Of Release: 2025
Label: Signum Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:14:01
Total Size: 313 MB / 1.34 GB
WebSite: Album Preview
1. Suite in C Major, K. 399/385i: I. Ouverture (4:38)
2. Prelude and Fugue in C Major, K. 394: II. Fuge (5:21)
3. Adagio and Allegro in F Minor, K. 594 (11:55)
4. Adagio and Fugue in C Minor, K. 546: II. Fugue (5:13)
5. Andante in F Major, K. 616 (7:45)
6. The London Sketchbook, K. 15a-15ss: No. 1, Allegro in F Major, K. 15a (1:25)
7. The London Sketchbook, K. 15a-15ss: No. 2, Andantino in C Major, K. 15b (1:23)
8. The London Sketchbook, K. 15a-15ss: No. 14, Andante in D Major, K. 15o (2:14)
9. The London Sketchbook, K. 15a-15ss: No. 16, Andante in B-Flat Major, K. 15q (3:15)
10. Fugue in G Minor, K. 401/375e (4:27)
11. The London Sketchbook, K. 15a-15ss: No. 35, Andante in B-Flat Major, K. 15ii (3:20)
12. The London Sketchbook, K. 15a-15ss: No. 34, Rondo in F Major, K. 15hh (1:24)
13. The London Sketchbook, K. 15a-15ss: No. 26, Gigues in C Minor, K. 15z (3:00)
14. 2 Versettes, K. 154a: I. in G Major (0:33)
15. 2 Versettes, K. 154a: II. in D Major (0:28)
16. Contrapuntal Study in B Minor, K. 620b "Ach Gott vom Himmel sieh darein" (1:49)
17. Gigue in G Major, K. 574 (1:59)
18. Adagio in C Major, K. 356/617a (3:15)
19. Fantasia in F Minor for Mechanical Organ, K. 608 (10:45)
Following on from his JS Bach Complete Organ Works collection performed on the organ at Trinity College Cambridge, David Goode returns with an album of organ works by WA Mozart. It is well known that Mozart highly esteemed the organ as an instrument (for example, his famous ‘King of Instruments’ remark) and enjoyed improvising at length. However, this sadly did not translate into writing for the instrument. Organist David Goode explores these works, and those which even may not have been intended for organ, and discusses in his programme notes how best to render them for two hands and feet, and how to register them suitably.
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