Billie Davis - Whatcha Gonna Do? Singles, Rarities And Unreleased 1963-1966 (2007)

  • 04 Aug, 13:06
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Artist:
Title: Whatcha Gonna Do? Singles, Rarities And Unreleased 1963-1966
Year Of Release: 2007
Label: RPM Records
Genre: Soul, Pop Rock, Beat
Quality: Mp3 320 / Flac (tracks, log)
Total Time: 01:10:38
Total Size: 278/397 Mb (scans)
WebSite:

Tracklist:

01. Mike Sarne - Intro 1:35
02. Billie Davis - Sweet Nothin's 2:41
03. Billie Davis - Will You Love Me Tomorrow 3:54
04. Billie Davis - Tell Him 2:03
05. Billie Davis - It's So Funny I Could Cry 2:17
06. Billie Davis - You Don't Have To Be A Baby To Cry 1:58
07. Billie Davis - Bedtime Stories 2:51
08. Billie Davis - You And I 1:44
09. Billie Davis - That Boy John 2:32
10. Billie Davis - Say Nothin' Don't Tell 2:06
11. Billie Davis - School Is Over 2:43
12. Billie Davis - Give Me Love 2:41
13. Billie Davis & the Leroys - Whatcha Gonna Do 2:42
14. Billie Davis & the Leroys - Everybody Knows 2:19
15. Billie Davis - The Last One To Be Loved 3:18
16. Billie Davis - You Don't Know 2:53
17. Billie Davis - No Other Baby 3:14
18. Billie Davis - Hands Off 2:15
19. Keith & Billie - When You Move You Lose 2:41
20. Keith & Billie - Tastes Sour Don't It 2:45
21. Billie Davis - Heart And Soul 2:22
22. Billie Davis - Don't Take All Night 3:04
23. Keith & Billie - You Don't Know Like I Know 2:22
24. Keith & Billie - Two Little People 2:52
25. Keith & Billie - That's Really Some Good 1:43
26. Keith & Billie - Swingin' Tight 2:27
27. Billie Davis - Just Walk In My Shoes 2:31
28. Billie Davis - Ev'ry Day 2:05

Carol Hedges was a 16-year-old aspiring singer when she was discovered as the result of a talent contest in 1962. Backed up in the competition by Cliff Bennett's support group, the Rebel Rousers, she won the contest and Bennett got her together with producer Joe Meek. Hedges was recorded by Meek with his resident group, the Tornados, without achieving success. Luckily, a neophyte music talent manager named Robert Stigwood had also seen her and liked what he heard, and he ultimately took her away from Meek. He was impressed with Hedges' singing, a white soul sound similar to (though not as powerful as) Beryl Marsden's work, and also with the fact that her two musical inspirations were Billie Holiday and Sammy Davis Jr.. Stigwood renamed her Billie Davis and teamed her with Mike Sarne, another singer he had under contract, and the two scored a novelty hit in 1962 with "Will I What." For her solo debut, he gave her a song that he had heard on a visit to America. "Tell Him" had been recorded by the Exciters, but Davis' cover, released on English Decca, made the Top Ten in England in early 1963 despite the fact that the American original actually topped the U.K. charts at the same time. Davis recorded for both English Decca and Pye Records during the early and mid-'60s without ever duplicating "Tell Him"'s success -- the closest she came to another hit was in 1968, with "I Want You to Be My Baby." Some of her work was reissued on compilation CDs, including her cover of Burt Bacharach's "The Last One to Be Loved," which appears on Sequel Records' Trains & Boats & Covers. Billie Davis is fondly remembered in England by her early pop/rock success in the pre-Beatles era.~Bruce Eder