Paul Meyer & Kurpfälzisches Kammerorchester - Carl Stamitz: Clarinet Concertos 7, 9, 10 & 11 (2025) [Hi-Res]

Artist: Paul Meyer, Kurpfälzisches Kammerorchester
Title: Carl Stamitz: Clarinet Concertos 7, 9, 10 & 11
Year Of Release: 2025
Label: CPO
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks)
Total Time: 55:56
Total Size: 234 / 905 MB
WebSite: Album Preview
Tracklist:Title: Carl Stamitz: Clarinet Concertos 7, 9, 10 & 11
Year Of Release: 2025
Label: CPO
Genre: Classical
Quality: FLAC (tracks) / 24bit-88.2kHz FLAC (tracks)
Total Time: 55:56
Total Size: 234 / 905 MB
WebSite: Album Preview
1. Stamitz: Concerto for Clarinet and Orchestra No. 7 in B flat major: Allegro moderato (7:02)
2. Stamitz: Concerto for Clarinet and Orchestra No. 7 in B flat major: Romanze (1:51)
3. Stamitz: Concerto for Clarinet and Orchestra No. 7 in B flat major: Rondo (3:05)
4. Stamitz: Concerto for Clarinet and Orchestra No. 9 in B flat major: Allegro (6:30)
5. Stamitz: Concerto for Clarinet and Orchestra No. 9 in B flat major: Andante moderato (3:13)
6. Stamitz: Concerto for Clarinet and Orchestra No. 9 in B flat major: Rondo. Tempo di Minuetto (4:13)
7. Stamitz: Concerto for Clarinet and Orchestra No. 10 in B flat major: Allegro (7:25)
8. Stamitz: Concerto for Clarinet and Orchestra No. 10 in B flat major: Andante sostenuto (4:13)
9. Stamitz: Concerto for Clarinet and Orchestra No. 10 in B flat major: Rondo. Poco Allegro (4:04)
10. Stamitz: Concerto for Clarinet and Orchestra No. 11 in E flat major: Allegro (7:55)
11. Stamitz: Concerto for Clarinet and Orchestra No. 11 in E flat major: Aria. Andante moderato (2:23)
12. Stamitz: Concerto for Clarinet and Orchestra No. 11 in E flat major: Rondo alla Scherzo. Allegro moderato (4:06)
Whether melting away like a singing gondolier on the Grand Canal or tumbling around like Eulenspiegel, whether chuckling melancholically in the depths like a brooding hen or springing acrobatically across the high wire: once the clarinet had outgrown its infancy, its rapidly expanding possibilities soon made it “the talk of the town” – praised by enthusiastic advocates such as Wolfgang Amadeus Mozart, technically advanced by new virtuosos, and given a wide variety of tasks by composers eager to experiment. At the forefront of these pioneers was Carl Stamitz, one of the first Mannheimers of the second generation, who wrote almost a dozen concert works for the slender instrument, leaving the guild of clarinet players with a precious little catechism, which can now be heard in its entirety on record for the first time.