Jana Semerádová, Collegium Marianum - Zelenka: Sepolcri (Music from 18th Century Prague) (2011)
Artist: Jana Semerádová, Collegium Marianum
Title: Zelenka: Sepolcri (Music from 18th Century Prague)
Year Of Release: 2011
Label: Supraphon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:05:19
Total Size: 308 Mb
WebSite: Album Preview
Tracklist:Title: Zelenka: Sepolcri (Music from 18th Century Prague)
Year Of Release: 2011
Label: Supraphon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:05:19
Total Size: 308 Mb
WebSite: Album Preview
01. Immisit Dominus pestilentiam, ZWV 58: Immisit Dominus pestilentiam (Recitativo accompagnato) (00:01:46)
02. Immisit Dominus pestilentiam, ZWV 58: Feriam pestilentia (Recitativo) (00:00:40)
03. Immisit Dominus pestilentiam, ZWV 58: Recordare, Domine (Aria) (00:03:34)
04. Immisit Dominus pestilentiam, ZWV 58: Sacrificemur Domino (Coro) (00:01:30)
05. Immisit Dominus pestilentiam, ZWV 58: Orate pro me, lacrimae (Aria) (00:03:55)
06. Immisit Dominus pestilentiam, ZWV 58: Parcite, boni angeli (Aria) (00:02:08)
07. Immisit Dominus pestilentiam, ZWV 58: Clamate, guttae sanguinis (Recitativo accompagnato, quasi Duetto) (00:03:00)
08. Immisit Dominus pestilentiam, ZWV 58: Deus, qui non mortem, sed poenitentiam desideras (Coro) (00:01:16)
09. Immisit Dominus pestilentiam, ZWV 58: Ut dum tibi devotus existis (Coro) (00:02:24)
10. Attendite et videte, ZWV 59: Attendite et videte (Recitativo et Arioso) (00:04:53)
11. Attendite et videte, ZWV 59: Adoramus te, Christe (Coro I) (00:02:21)
12. Attendite et videte, ZWV 59: Omnes gentes plaudite manibus (Aria) (00:03:21)
13. Attendite et videte, ZWV 59: Psallite Deo nostro (Coro) (00:01:34)
14. Attendite et videte, ZWV 59: Omnipotens Deus (Recitativo) (00:00:35)
15. Attendite et videte, ZWV 59: Deus regit nos (Aria) (00:02:42)
16. Attendite et videte, ZWV 59: Dignus est, Domine (Coro) (00:01:51)
17. Attendite et videte, ZWV 59: Deo subjecta (Aria) (00:03:20)
18. Attendite et videte, ZWV 59: Adoramus te, Christe (Coro II) (00:02:24)
19. Deus dux fortissime, ZWV 60: Deus, dux fortissime (Aria) (00:05:01)
20. Deus dux fortissime, ZWV 60: Solare, Christiadum turba (Recitativo) (00:00:49)
21. Deus dux fortissime, ZWV 60: Ave crucis, ave lignum (Aria) (00:02:34)
22. Deus dux fortissime, ZWV 60: Tu nostra es vera. tu gloriae spes (Duetto) (00:03:19)
23. Deus dux fortissime, ZWV 60: Ave crucis, ave lignum (Duetto) (00:02:35)
24. Deus dux fortissime, ZWV 60: In illa die (Recitativo) (00:00:46)
25. Deus dux fortissime, ZWV 60: O salutaris hostia - Quae coeli pandis ostium (Coro) (00:01:26)
26. Deus dux fortissime, ZWV 60: Bella premunt hostilia (Coro) (00:01:47)
27. Deus dux fortissime, ZWV 60: Da robur, fer auxilium (Coro) (00:03:48)
Total length: 01:05:19
Label: SUPRAPHON a.s.
Performers:
Hana Blažíková (soprano)
David Erler (alto)
Tobias Hunger (tenor) & Tomáš Král (bass)
Collegium Marianum (performed on period instruments)
Jana Semerádová
Jan Dismas Zelenka, the most distinctive figure of Czech Baroque music, no longer requires any introduction. His Prague works, however, have yet to be paid much attention. And unjustly so. The three sepolcri (cantatas intended for performance on Good Friday at the Holy Sepulchre) represent the earliest music of Zelenka’s that has been preserved, yet they are already truly singular pieces encompassing all the traits of their creator’s remarkable compositional style.
Zelenka created the pieces for Prague’s Klementinum, the oldest Jesuit college in Bohemia, and in a unique manner they serve to document the copious music performances that took place at the Saint Salvator Church, one of the most significant places on the “music map” of Baroque Prague. In 1709, Zelenka conducted at this church the performance of the first sepolcro.
Three centuries later, the cantatas were recorded for the very first time (at the church located at the opposite end of the Charles Bridge) by Collegium Marianum, one of the finest Czech and European Baroque ensembles, together with four outstanding soloists. Another instalment in the successful Music from Eighteenth-Century Prague series, and another chapter of Jan Dismas Zelenka’s remarkable oeuvre presented to the listener. Zelenka’s Easter cantatas come back to life after three centuries.
Zelenka created the pieces for Prague’s Klementinum, the oldest Jesuit college in Bohemia, and in a unique manner they serve to document the copious music performances that took place at the Saint Salvator Church, one of the most significant places on the “music map” of Baroque Prague. In 1709, Zelenka conducted at this church the performance of the first sepolcro.
Three centuries later, the cantatas were recorded for the very first time (at the church located at the opposite end of the Charles Bridge) by Collegium Marianum, one of the finest Czech and European Baroque ensembles, together with four outstanding soloists. Another instalment in the successful Music from Eighteenth-Century Prague series, and another chapter of Jan Dismas Zelenka’s remarkable oeuvre presented to the listener. Zelenka’s Easter cantatas come back to life after three centuries.
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