Matthias Maute, Ensemble Caprice - Vivaldi: The Four Nations (Reconstructed) (2025) [Hi-Res]

  • 04 Sep, 18:12
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Artist:
Title: Vivaldi: The Four Nations (Reconstructed)
Year Of Release: 2025
Label: ATMA Classique
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 52:17
Total Size: 237 / 958 MB
WebSite:

Tracklist:

1. Air “Sans frayeur dans ce bois” (2:31)
2. Concerto for Recorder, Strings and Continuo in D Minor, RV 821 "La Francia": I. Allegro (4:11)
3. Concerto for Recorder, Strings and Continuo in D Minor, RV 821 "La Francia": II. Largo (3:04)
4. Concerto for Recorder, Strings and Continuo in D Minor, RV 821 "La Francia": III. Allegro (3:39)
5. The Duke of Norfolk (2:56)
6. Concerto for Recorder, Strings and Continuo in G Minor, RV 822 "L'Inghilterra": I. Allegro (3:31)
7. Concerto for Recorder, Strings and Continuo in G Minor, RV 822 "L'Inghilterra": II. Siciliano arioso (3:50)
8. Concerto for Recorder, Strings and Continuo in G Minor, RV 822 "L'Inghilterra": III. Allegro (La tempesta di mare) (3:48)
9. Hungaricus 53 (Uhrovska Collection, 1730) (1:45)
10. Concerto for Traverso, Strings and Continuo in D Minor, RV 431a "Il Gran Mogol": I. Allegro (3:20)
11. Concerto for Traverso, Strings and Continuo in D Minor, RV 431a "Il Gran Mogol": II. Larghetto (1:55)
12. Concerto for Traverso, Strings and Continuo in D Minor, RV 431a "Il Gran Mogol": III. Allegro (2:19)
13. Suite in C Major: X. Sarabande espagnole (1:20)
14. Concerto for Recorder, Strings and Continuo in D Major, RV 825 "La Spagna": I. Allegro – cadence Le nacchere (4:40)
15. Concerto for Recorder, Strings and Continuo in D Major, RV 825 "La Spagna": II. Andante (1:40)
16. Concerto for Recorder, Strings and Continuo in D Major, RV 825 "La Spagna": III. Presto (3:42)
17. La primavera (4:18)

Ensemble Caprice presents a both imaginative yet scholarly project: the reconstruction of Antonio Vivaldi’s lost ‘national’ concertos—La Francia, L’Inghilterra, La Spagna, and Il Gran Mogol. Listed in an 18th-century catalogue (1759), three of these evocative concertos had vanished, except Il Gran Mogol, rediscovered in 2010. Drawing on his deep knowledge of Baroque language, Maute recreates these works as Vivaldi himself might have composed them.

Each concerto is preceded by a historically inspired prelude, reflecting the character of each nation. A modern addition rounds out the program: La primavera, a solo recorder fantasy inspired by Vivaldi’s iconic Spring.

A unique recording that pays vibrant homage to the “Red Priest’s” world.


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