Dmitry Sitkovetsky, Robert Hill - Bach, J.S.: Sonatas for Violin and Harpsichord, Bwv 1014-1019 (2000)

Tracklist

01. Sonata No. 1 for Violin & Harpsichord in B Minor, BWV 1014: I. Adagio
02. Sonata No. 1 for Violin & Harpsichord in B Minor, BWV 1014: II. Allegro
03. Sonata No. 1 for Violin & Harpsichord in B Minor, BWV 1014: III. Andante
04. Sonata No. 1 for Violin & Harpsichord in B Minor, BWV 1014: IV. Allegro
05. Sonata No. 2 for Violin & Harpsichord in A Major, BWV 1015: I. –
06. Sonata No. 2 for Violin & Harpsichord in A Major, BWV 1015: II. Allegro
07. Sonata No. 2 for Violin & Harpsichord in A Major, BWV 1015: III. Andante un poco
08. Sonata No. 2 for Violin & Harpsichord in A Major, BWV 1015: IV. Presto
09. Sonata No. 3 for Violin & Harpsichord in E Major, BWV 1016: I. Adagio
10. Sonata No. 3 for Violin & Harpsichord in E Major, BWV 1016: II. Allegro
11. Sonata No. 3 for Violin & Harpsichord in E Major, BWV 1016: III. Adagio ma non tanto
12. Sonata No. 3 for Violin & Harpsichord in E Major, BWV 1016: IV. Allegro
13. Sonata No. 4 for Violin & Harpsichord in C Minor, BWV 1017: I. Siciliano: Largo
14. Sonata No. 4 for Violin & Harpsichord in C Minor, BWV 1017: II. Allegro
15. Sonata No. 4 for Violin & Harpsichord in C Minor, BWV 1017: III. Adagio
16. Sonata No. 4 for Violin & Harpsichord in C Minor, BWV 1017: IV. Allegro
17. Sonata No. 5 for Violin & Harpsichord in F Minor, BWV 1018: I. –
18. Sonata No. 5 for Violin & Harpsichord in F Minor, BWV 1018: II. Allegro
19. Sonata No. 5 for Violin & Harpsichord in F Minor, BWV 1018: III. Adagio
20. Sonata No. 5 for Violin & Harpsichord in F Minor, BWV 1018: IV. Vivace
21. Sonata No. 6 for Violin & Harpsichord in G Major, BWV 1019: I. Allegro
22. Sonata No. 6 for Violin & Harpsichord in G Major, BWV 1019: II. Largo
23. Sonata No. 6 for Violin & Harpsichord in G Major, BWV 1019: III. Allegro
24. Sonata No. 6 for Violin & Harpsichord in G Major, BWV 1019: IV. Adagio
25. Sonata No. 6 for Violin & Harpsichord in G Major, BWV 1019: V. Allegro

It is typical that whenever Bach dedicated himself assiduously to a long-existent musical form available in a variety of examples, he inevitably ended up adding a number of variants to it. Although he no doubt conceived his versions merely as evolutionary...

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