Singknaben der St. Ursenkathedrale Solothurn, Jeremie Conus & Tobias Stückelberger - Tchaka (2024) [Hi-Res]
Artist: Singknaben der St. Ursenkathedrale Solothurn, Jeremie Conus, Tobias Stückelberger
Title: Tchaka
Year Of Release: 2024
Label: Rondeau Production
Genre: Classical, Pop, Folk
Quality: FLAC (tracks) 24/96, FLAC (tracks)
Total Time: 01:17:45
Total Size: 1.4 GB / 343 mb
WebSite: Album Preview
Tracklist:Title: Tchaka
Year Of Release: 2024
Label: Rondeau Production
Genre: Classical, Pop, Folk
Quality: FLAC (tracks) 24/96, FLAC (tracks)
Total Time: 01:17:45
Total Size: 1.4 GB / 343 mb
WebSite: Album Preview
01. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Tchaka (4:45)
02. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Kyrie (Missa Rigensis) (3:41)
03. Singknaben der St. Ursenkathedrale Solothurn, Jérémie Conus & Tobias Stückelberger - Veni Domine (3:48)
04. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Jauchzet dem Herrn alle Welt (3:47)
05. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Os Justi (4:59)
06. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Der 130. Psalm (4:18)
07. Singknaben der St. Ursenkathedrale Solothurn, Jérémie Conus & Tobias Stückelberger - Cantique de Jean Racine (5:19)
08. Singknaben der St. Ursenkathedrale Solothurn, Jérémie Conus & Tobias Stückelberger - Wie lieblich sind deine Wohnungen (Ein deutsches Requiem) (5:21)
09. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Vögel über Solothurn (1:39)
10. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Dr Heimetvogel (3:03)
11. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Juranacht (1:48)
12. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Terre Jurassienne (3:50)
13. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Incantatio maris aestuosi (6:28)
14. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Pseudo Yoik (2:15)
15. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Kaikki maat, te riemuitkaatte (3:12)
16. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - The Code (4:06)
17. Singknaben der St. Ursenkathedrale Solothurn & Tobias Stückelberger - Loch Lomond (4:45)
18. Alinka Rowe, Singknaben der St. Ursenkathedrale Solothurn, Mārcis Kuplais, Tobias Stückelberger, Alfredo Ferre Martínez, Dimitry Smirnov & Dimitry Neff - Gesang der Geister über den Wassern (10:52)
‘Tchaka‘ - that's a traditional stew from Haiti, and just like in a good stew, the Singknaben der St. Ursenkathedrale Solothurn, under the direction of Tobias Stückelberger, present a diverse mixture of varied musical influences and cultures on their new album.
With a tradition dating back over 1200 years, the Singknaben are considered the oldest boys' choir in Switzerland. Starting from their church tradition, the album begins with romantic motets and psalm settings by Prauliņš, Mendelssohn and Bruckner, and leads t hrough some choral favourites such as Fauré's ‘Cantique de Jean Racine’ to arrangements of Swiss folk songs and works from the Solothurn region such as the ‘Heimetvogel’ (Bird of Home) and the men's choir work ‘Terre Jurassienne’. The programme continues n orthwards with contemporary works from Estonia (Tormis) and Finland (Mäntyjärvi and Makaroff). In the arrangement of ‘The Code’ by Nemo - as in the album itself - a wide variety of pop music styles come together.
The album closes with farewell songs that a re not always peaceful, including Schubert's ‘Gesang der Geister über den Wassern’, accompanied by low strings. In addition to the high artistic performance of the choirboys, the album impresses with its selection of works, which, despite their diversity, form a large thematic framework, and especially with the specially written arrangements, recorded for the first time, with which the choirboys themselves contribute a piece to the choral tradition
With a tradition dating back over 1200 years, the Singknaben are considered the oldest boys' choir in Switzerland. Starting from their church tradition, the album begins with romantic motets and psalm settings by Prauliņš, Mendelssohn and Bruckner, and leads t hrough some choral favourites such as Fauré's ‘Cantique de Jean Racine’ to arrangements of Swiss folk songs and works from the Solothurn region such as the ‘Heimetvogel’ (Bird of Home) and the men's choir work ‘Terre Jurassienne’. The programme continues n orthwards with contemporary works from Estonia (Tormis) and Finland (Mäntyjärvi and Makaroff). In the arrangement of ‘The Code’ by Nemo - as in the album itself - a wide variety of pop music styles come together.
The album closes with farewell songs that a re not always peaceful, including Schubert's ‘Gesang der Geister über den Wassern’, accompanied by low strings. In addition to the high artistic performance of the choirboys, the album impresses with its selection of works, which, despite their diversity, form a large thematic framework, and especially with the specially written arrangements, recorded for the first time, with which the choirboys themselves contribute a piece to the choral tradition
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