Eun-Shik Kim, Ryo Terakado, Kaori Uemura & François Guerrier - L'apothéose De Corelli - Triosonatas (2025) [Hi-Res]
Artist: Eun-Shik Kim, Ryo Terakado, Kaori Uemura, François Guerrier
Title: L'apothéose De Corelli - Triosonatas
Year Of Release: 2025
Label: Challenge Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:05:41
Total Size: 399 MB / 1.31 GB
WebSite: Album Preview
Tracklist:Title: L'apothéose De Corelli - Triosonatas
Year Of Release: 2025
Label: Challenge Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
Total Time: 01:05:41
Total Size: 399 MB / 1.31 GB
WebSite: Album Preview
1. Ouvertures and Trio Sonatas, Op. 13, No. 5 in A Major: I. Grave - Allegro (4:17)
2. Ouvertures and Trio Sonatas, Op. 13, No. 5 in A Major: II. Largo (2:16)
3. Ouvertures and Trio Sonatas, Op. 13, No. 5 in A Major: III. Allegro Assai (3:19)
4. 12 Trio Sonatas, Op. 3, No. 8 in C Major: I. Largo (1:56)
5. 12 Trio Sonatas, Op. 3, No. 8 in C Major: II. Allegro (1:37)
6. 12 Trio Sonatas, Op. 3, No. 8 in C Major: III. Largo (1:33)
7. 12 Trio Sonatas, Op. 3, Sonata in C Major, No. 8: IV. Allegro (1:36)
8. Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: I. Corelli au piéd du Parnasse prie les muses de le recevoir parmi elles. Gravement (2:13)
9. Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: II. Corelli Charmé de la bonne réception qu'on lui fait au Parnasse en marque sa joye. Il continuë avec ceux qui L'accompagnent. Gayment (2:28)
10. Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: III. Corelli buvant à la source d'hypocrêne sa troupe continue (2:09)
11. Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: IV. Entouziasme de Corelli causé par les eaux d'hypocrêne. Vivement (1:16)
12. Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: V. Corelli aprés son entouziasme s'endort; et sa troupe jouë le sommeil suivat. (tres doux) (2:25)
13. Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: VI. Les muses reveillent Corelli, et le placent auprês D'Apollon. Vivement (0:49)
14. Le Parnasse ou L'Apothéose de Corelli, grande sonade en trio: VII. Remerciment de Corelli. Gayment (2:23)
15. 12 Trio Sonatas, Op. 2, No. 12 in G Major: I. Ciaccona. Largo - Allegro (3:40)
16. Deuxième Récréation de Musique Op. 8 in G Minor: I. Ouverture. Gravement - Légèrement - Lentement (4:07)
17. Deuxième Récréation de Musique Op. 8 in G Minor: II. Forlane en rondeau. Point trop vite (5:31)
18. Deuxième Récréation de Musique Op. 8 in G Minor: III. Sarabande. Lentement (3:10)
19. Deuxième Récréation de Musique Op. 8 in G Minor: IV. Menuet - Autre - Menuet (3:10)
20. Deuxième Récréation de Musique Op. 8 in G Minor: V. Badinage (1:59)
21. Deuxième Récréation de Musique Op. 8 in G Minor: VI. Chaconne (7:33)
22. Deuxième Récréation de Musique Op. 8 in G Minor: VII. Tambourin. Vite - Autre - Tambourin (2:56)
23. Ouvertures and Trio Sonatas, Op. 13, No. 6 in G Minor: III. Aria (Gratioso) - Altro (3:28)
There are moments in music when time seems to pause, and with Arcangelo Corelli’s music, I have experienced that enchanted stillness—where each note is not just heard but felt deeply. His music, elegant and radiant, is the gentle whisper of a bygone era, yet it breathes timeless warmth and light.
Corelli’s art is a delicate conversation between violin and continuo, a living breath of harmony and counterpoint that dances with noble grace. Each phrase unfolds like a tender story, where voices seek, answer, and embrace one another—like cherished friends sharing secrets across the ages. It was through my mentor, Ryo Terakado, and his luminous recording of the Violin Sonatas, Op. 5 that I first stepped into this radiant world. Since then, Corelli’s melodies have been a constant companion—like a soft glow in the twilight, a source of inspiration and solace.
Corelli’s influence extends far beyond my own story. His style shaped the musical language of generations—admired openly by François Couperin, absorbed deeply into the work of Jean-Marie Leclair, and echoed, even centuries later, by virtuosi such as Pablo Sarasate and Niccolò Paganini.
His music is both spiritual and earthly—a beacon of simplicity and profound beauty.
I am deeply grateful to Ryo Terakado for guiding me to this wellspring of grace, to Kaori Uemura and François Guerrier for their artistry, and to our magical producer Guido Tichelman and the Byucksan Corporation for nurturing this project. - Eun-Shik Kim
Corelli’s art is a delicate conversation between violin and continuo, a living breath of harmony and counterpoint that dances with noble grace. Each phrase unfolds like a tender story, where voices seek, answer, and embrace one another—like cherished friends sharing secrets across the ages. It was through my mentor, Ryo Terakado, and his luminous recording of the Violin Sonatas, Op. 5 that I first stepped into this radiant world. Since then, Corelli’s melodies have been a constant companion—like a soft glow in the twilight, a source of inspiration and solace.
Corelli’s influence extends far beyond my own story. His style shaped the musical language of generations—admired openly by François Couperin, absorbed deeply into the work of Jean-Marie Leclair, and echoed, even centuries later, by virtuosi such as Pablo Sarasate and Niccolò Paganini.
His music is both spiritual and earthly—a beacon of simplicity and profound beauty.
I am deeply grateful to Ryo Terakado for guiding me to this wellspring of grace, to Kaori Uemura and François Guerrier for their artistry, and to our magical producer Guido Tichelman and the Byucksan Corporation for nurturing this project. - Eun-Shik Kim
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