Sandrine Piau, Jodie Devos, Lea Desandre, Insula Orchestra, Laurence Equilbey - Magic Mozart (2020) CD-Rip

Artist: Sandrine Piau, Jodie Devos, Lea Desandre, Insula Orchestra, Laurence Equilbey
Title: Magic Mozart
Year Of Release: 2020
Label: Erato
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:11:02
Total Size: 360 Mb
WebSite: Album Preview
Tracklist: Title: Magic Mozart
Year Of Release: 2020
Label: Erato
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:11:02
Total Size: 360 Mb
WebSite: Album Preview
Wolfgang Amadeus Mozart (1756-1791)
from Die Zauberflöte KV 620
1 “Der Vogelfänger bin ich ja” (Papageno) 2.53
2 “Dies Bildnis ist bezaubernd schön” (Tamino) 3.50
from Galimathias musicum KV 32 (Quodlibet)
3 No.15: Adagio 1.06
from Die Zauberflöte KV 620
4 “Der Hölle Rache kocht in meinem Herzen” (Königin der Nacht) 3.01
from ACT I FINALE (Tamino · Pamina · Papageno · Monostatos)
5 “Wie stark ist nicht dein Zauberton” – 3.00
6 “Schnelle Füße, rascher Mut” – 1.06
7 “Ha! – hab’ ich euch noch erwischt!” 2.20
8 “Pa-pa-pa-pa” (Papagena · Papageno) 2.36
from Musik zu einer Pantomime (Pantalon und Colombine) KV 446 (KV 416d)
9 No. IV: Poco adagio staccato 0.48
10 “Vorrei spiegarvi, oh Dio!” KV 418 (Clorinda) 6.37
Insertion aria for Pasquale Anfossi’s opera Il curioso indiscreto
from Le nozze di Figaro KV 492
11 Sinfonia: Presto 4.30
12 “Voi che sapete che cosa è amor” (Cherubino) 2.37
13 “Porgi, amor, qualche ristoro” (Contessa) 3.24
14 “Non so più cosa son, cosa faccio” (Cherubino) 2.53
from Musik zu einer Pantomime (Pantalon und Colombine) K446(416d)
15 No. VI: Adagio 1.18
from Le nozze di Figaro KV 492
16 “L’ho perduta, me meschina!” (Barbarina) 1.56
17 “Dove sono i bei momenti” (Contessa) 4.31
18 “Nun, liebes Weibchen, ziehst mit mir” K625(592a) (Lubana · Lubano) 2.22
“Cat Duet” from the pasticcio opera Der Stein der Weisen, oder Die Zauberinsel
from Don Giovanni KV 527
19 “Deh vieni alla finestra” (Don Giovanni) 1.56
20 “Fin ch’han dal vino” (Don Giovanni) 1.18
from Die Entführung aus dem Serail KV 384
21 Overture: Presto 5.36
22 “Vivat Bacchus! Bacchus lebe!” (Pedrillo · Osmin) 2.11
from La finta semplice KV 51 (KV 46a)
23 “Cospetton, cospettonaccio!” (Fracasso · Cassandro) 2.50
from Bastien und Bastienne KV 50 (KV 46b)
24 “Diggi, daggi” (Colas) 2.46
from Musik zu einer Pantomime (Pantalon und Colombine) KV 446 (KV 416d)
25 No. IV: Poco adagio staccato 0.27
from Così fan tutte KV 588
26 “Soave sia il vento” (Fiordiligi · Dorabella · Don Alfonso) 3.17
Performers:
Sandrine Piau (soprano 06-08, 13, 17, 26)
Jodie Devos (soprano 04, 10)
Lea Desandre (mezzo-soprano 12, 14, 16, 18, 26)
Stanislas de Barbeyrac (tenor 02, 05, 07)
Loïc Félix (tenor 06-07, 22-23)
Florian Sempey (baritone 01, 06-08, 18-20, 22-24, 26)
Insula Orchestra
Laurence Equilbey (dir.)
The title Magic Mozart is not a general marketing term but a specific description of the contents of this release by Laurence Equilbey and her Insula Orchestra: the program includes works by Mozart that, broadly conceived, have magical elements. The idea is a novel one, for it encompasses both the expected choices like excerpts from Die Zauberflöte, K. 620, and more general ideas like the lost magic in a marriage. Some of the latter group, such as the arias from Le nozze di Figaro, K. 492, and Don Giovanni, K. 527, are familiar pieces, and here, the attraction is the presence of vocally gorgeous singers: Sandrine Piau, Lea Desandre, and Florian Sempey, in a rather intimate setting where they put forth their relaxed best. However, there are also some genuine rarities here that will attract listeners on their own. Even those who know of Rossini's spurious Cat Duet may not have known that Mozart wrote one too, a genuine one, for insertion in the jointly composed opera Der Stein der Weisen (The Philosopher's Stone); it's delightful and certainly fits the theme. Even more obscure is that Musik zu einer Pantomime, K. 446 (Music for a Pantomime), which survives only in a first violin part and some instructions and was reconstructed. These, too (there are several excerpts) are entrancing. Overall, these performances reflect an odd lens on Mozart that no one else has ever attempted, and the results delight.
