The Thirteen & Matthew Robertson - Monteverdi: The 'Lost' Vespers (2024) [Hi-Res]

Artist: The Thirteen, Matthew Robertson
Title: Monteverdi: The 'Lost' Vespers
Year Of Release: 2024
Label: Acis
Genre: Classical
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 1:14:35
Total Size: 1.31 GB
WebSite: Album Preview
Tracklist:Title: Monteverdi: The 'Lost' Vespers
Year Of Release: 2024
Label: Acis
Genre: Classical
Quality: FLAC (tracks) [96kHz/24bit]
Total Time: 1:14:35
Total Size: 1.31 GB
WebSite: Album Preview
1. The Thirteen & Matthew Robertson – Domine in adjutorium, from Selva morale e spirituale (02:00)
2. The Thirteen & Matthew Robertson – Dixit dominus primo à 8, from Messa a quattro voci et salmi (08:06)
3. The Thirteen, Matthew Robertson, Oliver Mercer & Steven Soph – Ut queant laxis, from Selva morale e spirituale (03:24)
4. The Thirteen & Matthew Robertson – Lauda Jerusalem à 5, from Messa a quattro voci et salmi (06:48)
5. The Thirteen, Matthew Robertson & Edmund Milly – Laudate Dominum, from Messa a quattro voci et salmi (03:33)
6. The Thirteen & Matthew Robertson – Nisi Dominus à 6, from Messa a quattro voci et salmi (08:59)
7. The Thirteen, Matthew Robertson, Katelyn Grace Jackson & Sheila Dietrich – Sanctorum meritis primo, from Selva morale e spirituale (04:36)
8. The Thirteen & Matthew Robertson – Beatus vir à 7, from Messa a quattro voci et salmi (09:28)
9. The Thirteen, Matthew Robertson, Katelyn Grace Jackson & Sheila Dietrich – Salve Regina, from Selva morale e spirituale (05:19)
10. The Thirteen & Matthew Robertson – Laetaniae della Beata Vergine à 6, from Messa a quattro voci et salmi (09:35)
11. The Thirteen & Matthew Robertson – Magnificat primo, from Selva morale e spirituale (12:43)
“The variety of vocal and instrumental combinations presents a series of fresh delights as the programme unfolds…The Thirteen's singers have impeccable diction and the colourful but restrained instrumental parts are admirably balanced…Steven Plank's excellent liner notes set the music in its liturgical and cultural context, and full texts and translations are provided. This is a further delight from this superb ensemble.”
Martin Clarke, Organists’ Review
Martin Clarke, Organists’ Review