Anthony Clark Evans, Rundfunk Sinfonieorchester Berlin & Carlo Montanaro - Signore ! Signori! Scusatemi (2025) Hi-Res

Artist: Anthony Clark Evans, Rundfunk Sinfonieorchester Berlin, Carlo Montanaro
Title: Signore ! Signori! Scusatemi
Year Of Release: 2025
Label: EuroArts Music International
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (96 KHz / tracks)
Total Time: 70:07 min
Total Size: 299 MB / 1,2 GB
WebSite: Album Preview
Tracklist:Title: Signore ! Signori! Scusatemi
Year Of Release: 2025
Label: EuroArts Music International
Genre: Classical
Quality: FLAC (tracks) / FLAC 24 Bit (96 KHz / tracks)
Total Time: 70:07 min
Total Size: 299 MB / 1,2 GB
WebSite: Album Preview
01. Pagliacci: Prologo - Si può - Signore! Signori! Scusatemi
02. Andrea Chénier: Nemico della patria
03. Il Tabarro, SC85: Nulla! Silenzio!
04. Roberto Devereux: Forse in quel cor sensibile
05. Les Contes d'Hoffmann, Op. 67: Scintille, diamant
06. Hamlet: Ô vin, dissipe la tristesse
07. Tannhäuser, WWV70: Wie Todesahnung – O du, mein holder Abendstern
08. Der fliegende Holländer, WWV63: Die Frist ist um – Wie oft in Meeres tiefsten Schlund
09. Rigoletto: Pari siamo
10. Rigoletto: Cortigiani, vil razza dannata
11. Il Trovatore: Tutto è deserto – Il balen del suo sorriso
12. Luisa Miller: Sacra la scelta è d'un consorte
The program ranges from the passionate drama of Italian verismo to the elegance of French opera and the exalted sound world of Richard Wagner.
Evans opens with Leoncavallo’s famous Prologue from Pagliacci, a programmatic manifesto of verismo, and continues with Giordano’s searing denunciation Nemico della patria from Andrea Chénier and Puccini’s dark scene from Il Tabarro. Donizetti and Offenbach provide melodic refinement and brilliant color from the Italian and French traditions, while Thomas’s drinking song from Hamlet adds charm and lightness.
Particular highlights are the Wagner arias – the intimate Song to the Evening Star from Tannhäuser and the great scene of the Dutchman – where Evans’s voice reveals both lyrical depth and dramatic radiance. The program concludes with central Verdi roles, from Rigoletto to Il Trovatore and Luisa Miller, showcasing the full range of Italian bel canto drama.
This album is a striking portrait of a singer who brings the core baritone repertoire vividly to life with gripping intensity, stylistic versatility, and profound emotional depth.
Evans opens with Leoncavallo’s famous Prologue from Pagliacci, a programmatic manifesto of verismo, and continues with Giordano’s searing denunciation Nemico della patria from Andrea Chénier and Puccini’s dark scene from Il Tabarro. Donizetti and Offenbach provide melodic refinement and brilliant color from the Italian and French traditions, while Thomas’s drinking song from Hamlet adds charm and lightness.
Particular highlights are the Wagner arias – the intimate Song to the Evening Star from Tannhäuser and the great scene of the Dutchman – where Evans’s voice reveals both lyrical depth and dramatic radiance. The program concludes with central Verdi roles, from Rigoletto to Il Trovatore and Luisa Miller, showcasing the full range of Italian bel canto drama.
This album is a striking portrait of a singer who brings the core baritone repertoire vividly to life with gripping intensity, stylistic versatility, and profound emotional depth.