Jean-Michel Jarre - Deserted Palace (1972/2025) [Hi-Res]
Artist: Jean-Michel Jarre
Title: Deserted Palace
Year Of Release: 1972
Label: Disques Dreyfus
Genre: Electronic
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 33:47
Total Size: 78.5 / 224 / 429 MB
WebSite: Album Preview
Tracklist:Title: Deserted Palace
Year Of Release: 1972
Label: Disques Dreyfus
Genre: Electronic
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 33:47
Total Size: 78.5 / 224 / 429 MB
WebSite: Album Preview
1. Poltergeist Party (2:15)
2. Music Box Concerto (2:45)
3. Rain Forest Rap Session (1:44)
4. A Love Theme for Gargoyles (1:14)
5. Bridge of Promises (3:18)
6. Exasperated Frog (0:51)
7. Take Me To Your Leader (1:59)
8. Deserted Palace (2:27)
9. Pogo Rock (1:08)
10. Windswept Canyon (7:42)
11. The Abominable Snowman (0:56)
12. Iraqi Hitch-Hiker (2:32)
13. Free Floating Anxiety (2:21)
14. Synthetic Jungle (1:45)
15. Bee Factory (1:00)
Transversales Disques proudly presents the first official LP reissue of Deserted Palace, a studio album written and performed by Jean-Michel Jarre in 1972 during his time at G.R.M. (Groupe de Recherches Musicales).
In 1971, producer Francis Dreyfus was commissioned to create soundscapes for public spaces such as airports and libraries.
He entrusted the project to Jean-Michel, who had recently signed with his record company.
These fifteen tracks were crafted using just two synthesizers—the EMS VCS3 and the Farfisa organ—in an experimental and minimalistic style.
"It was a crazy album, totally homemade, with rhythms I created in my student room using minimal equipment. At the same time, I incorporated electronic sounds taken from the GRM when I would sneak into the studios at night, having stolen the keys.
It’s a pirate record in every sense of the word, foreshadowing what I would go on to create later."
Jean-Michel Jarre
In 1971, producer Francis Dreyfus was commissioned to create soundscapes for public spaces such as airports and libraries.
He entrusted the project to Jean-Michel, who had recently signed with his record company.
These fifteen tracks were crafted using just two synthesizers—the EMS VCS3 and the Farfisa organ—in an experimental and minimalistic style.
"It was a crazy album, totally homemade, with rhythms I created in my student room using minimal equipment. At the same time, I incorporated electronic sounds taken from the GRM when I would sneak into the studios at night, having stolen the keys.
It’s a pirate record in every sense of the word, foreshadowing what I would go on to create later."
Jean-Michel Jarre
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