Géraldine Eguiluz & Michel F Côté - hORs TempS (2025) [Hi-Res]

Artist: Géraldine Eguiluz, Michel F Côté
Title: hORs TempS
Year Of Release: 2025
Label: Ambiances Magnétiques
Genre: Jazz
Quality: FLAC (tracks) [48kHz/24bit]
Total Time: 42:19
Total Size: 463 / 226 MB
WebSite: Album Preview
Tracklist:Title: hORs TempS
Year Of Release: 2025
Label: Ambiances Magnétiques
Genre: Jazz
Quality: FLAC (tracks) [48kHz/24bit]
Total Time: 42:19
Total Size: 463 / 226 MB
WebSite: Album Preview
1. Géraldine Eguiluz & Michel F Côté – Territoires perdus #1 (01:35)
2. Géraldine Eguiluz & Michel F Côté – La montaña y el agua (04:03)
3. Géraldine Eguiluz & Michel F Côté – Territoires perdus #2 (01:50)
4. Géraldine Eguiluz & Michel F Côté – La montaña y el viento (01:22)
5. Géraldine Eguiluz & Michel F Côté – Visiteurs #1 (01:39)
6. Géraldine Eguiluz & Michel F Côté – La jeune fille et la vie (02:44)
7. Géraldine Eguiluz & Michel F Côté – Les grands départs (04:23)
8. Géraldine Eguiluz & Michel F Côté – Territoires perdus #3 (02:25)
9. Géraldine Eguiluz & Michel F Côté – Despedida (02:55)
10. Géraldine Eguiluz & Michel F Côté – Visiteurs #2 (01:24)
11. Géraldine Eguiluz & Michel F Côté – Retrato de mi madre (01:45)
12. Géraldine Eguiluz & Michel F Côté – Territoires perdus #4 (02:34)
13. Géraldine Eguiluz & Michel F Côté – La montaña dorada (02:46)
14. Géraldine Eguiluz & Michel F Côté – Visiteurs #3 (04:05)
15. Géraldine Eguiluz & Michel F Côté – Semilla para el fin del mundo (03:19)
16. Géraldine Eguiluz & Michel F Côté – Territoires perdus #5 (03:30)
“hORs TempS” is a collection of compositions by Géraldine Eguiluz created using music that was recorded on cassettes in Paris in the early 1990s. After actively listening to and processing the original tapes to create mutating collages, they were presented to Michel F Côté so that he could freely interact with them.
Géraldine and Michel thus became ethno-musico-souls, archivists who discover buried sound documents, which they decipher, restore and complete to revive their original meaning and create a new corpus. Each of the pieces in “hORs TempS” is a forgotten, found and restored treasure, brought back into the world.
This unusual aesthetic encounter generates and highlights a new material that merges with an old music whose essence remains intact. A priori, it authentically expresses Geraldine’s musical, folkloric, poetic and dreamlike research, then in her early twenties. Thirty-five years later, with Michel F Côté, she finds a new fertile land.
“hORs TempS” is structured around four suites of pieces: “Territoires perdus”, “La montagne”, “Les grands départs” and “Visiteurs”, whose themes are farewells, migrations, spirits, loss, finitude, and, as a backdrop, joy.
Géraldine and Michel thus became ethno-musico-souls, archivists who discover buried sound documents, which they decipher, restore and complete to revive their original meaning and create a new corpus. Each of the pieces in “hORs TempS” is a forgotten, found and restored treasure, brought back into the world.
This unusual aesthetic encounter generates and highlights a new material that merges with an old music whose essence remains intact. A priori, it authentically expresses Geraldine’s musical, folkloric, poetic and dreamlike research, then in her early twenties. Thirty-five years later, with Michel F Côté, she finds a new fertile land.
“hORs TempS” is structured around four suites of pieces: “Territoires perdus”, “La montagne”, “Les grands départs” and “Visiteurs”, whose themes are farewells, migrations, spirits, loss, finitude, and, as a backdrop, joy.