Augustin Dumay, Pavel Gomziakov, Kansai Philharmonic Orchestra - Saint-Saëns: Symphony No. 1 & Cello Concerto No. 1 (2012)

Artist: Augustin Dumay, Pavel Gomziakov, Kansai Philharmonic Orchestra
Title: Saint-Saëns: Symphony No. 1 & Cello Concerto No. 1
Year Of Release: 2012
Label: Onyx Classics Ltd. / Augustin Dumay
Genre: Classical
Quality: flac lossless (tracks) +Booklet
Total Time: 01:04:16
Total Size: 295 mb
WebSite: Album Preview
TracklistTitle: Saint-Saëns: Symphony No. 1 & Cello Concerto No. 1
Year Of Release: 2012
Label: Onyx Classics Ltd. / Augustin Dumay
Genre: Classical
Quality: flac lossless (tracks) +Booklet
Total Time: 01:04:16
Total Size: 295 mb
WebSite: Album Preview
01. La muse et le poète, Op. 132
02. Cello Concerto No. 1 in E-Flat Major, Op. 33: I. Allegro non troppo
03. Cello Concerto No. 1 in E-Flat Major, Op. 33: II. Allegretto con moto
04. Cello Concerto No. 1 in E-Flat Major, Op. 33: III. Tempo primo
05. Symphony No. 1 in E-Flat Major, Op. 2: I. Adagio - Allegro
06. Symphony No. 1 in E-Flat Major, Op. 2: II. Marche - Scherzo. Allegro scherzando
07. Symphony No. 1 in E-Flat Major, Op. 2: III. Adagio
08. Symphony No. 1 in E-Flat Major, Op. 2: IV. Finale. Allegro maestoso

The debut of the distinguished violinist and conductor Augustin Dumay on ONYX.
Saint-Saëns’s popular First Cello Concerto is coupled with his superb but neglected First Symphony and the late and rare double concerto for cello and violin ‘La Muse et le Poète’.
Dumay is music director of the Kansai Philharmonic Orchestra in Japan, making their debut recording with Dumay. They are joined by cellist Pavel Gomziakov in ‘La Muse et le Poète’ and the famous first cello concerto.
The First Symphony was praised by Berlioz and Gounod when it was premiered in 1853. Both composers were amazed that such an assured symphony could be the work of an 18-year-old. Saint-Saëns’s use of the large orchestra is extraordinary and the work has all the hallmarks associated with this composer: flair, good taste and a gift for wonderful tunes that remain with the listener. Its neglect in the concert hall is hard to understand.