Adriana González, Ensemble Diderot, Johannes Pramsohler & Iñaki Encina Oyón - Rondos for Adriana (2026) [Hi-Res]
Artist: Adriana González, Ensemble Diderot, Johannes Pramsohler, Iñaki Encina Oyón
Title: Rondos for Adriana
Year Of Release: 2026
Label: Audax Records
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
Total Time: 01:13:43
Total Size: 322 / 867 MB
WebSite: Album Preview
Tracklist:Title: Rondos for Adriana
Year Of Release: 2026
Label: Audax Records
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks+booklet)
Total Time: 01:13:43
Total Size: 322 / 867 MB
WebSite: Album Preview
1. Soler: L'arbore di Diana, Act II Scene 14: I. Recit. Cessa, cessa mio core (Diana) (96 kHz) (1:35)
2. Soler: L'arbore di Diana, Act II Scene 14: II. Rondò. Teco porta, o mia Speranza (Diana) (96 kHz) (5:00)
3. Tarchi: Il conte di Saldagna: I. Recit. Ah! Se tu m'ami (Diana) (96 kHz) (1:45)
4. Tarchi: Il conte di Saldagna: II. Rondò. Ah! Sol bramo, o mia Speranza (Diana) (96 kHz) (6:07)
5. Mozart: Le Nozze di Figaro, K. 577, Act IV Scene 10: I. Recit. Giunse al fin il momento (Susanna) (1:19)
6. Mozart: Le Nozze di Figaro, K. 577, Act IV Scene 10: II. Rondò. Al desio di chi t'adora (Susanna) (6:02)
7. Mozart: Rondo in C Major for Violin and Orchestra, K. 373 (6:07)
8. Mozart: Le Nozze di Figaro, K. 577, Act III Scene 8: I. Recit. E Susanna non vien (Contessa) (1:35)
9. Mozart: Le Nozze di Figaro, K. 577, Act III Scene 8: II. Rondò. Dove sono i bei momenti (Contessa) (4:33)
10. Bertoni: Balthassar: Rondoncino. Mater cara, extremum vale (Jezael) (4:37)
11. Giordani: Erifile: I. Recit. In quale istante (2:21)
12. Giordani: Erifile: II. Rondò. Partirò dal caro bene (4:57)
13. Anfossi: Sedecias: Rondò. Se mi lasci, o mia Speranza (Didone) (5:03)
14. Weigl: Recit. Ah che in van cerco pace (1:37)
15. Weigl: Aria. Giusti numi amor pietoso (5:03)
16. Mozart: Rondo (Rondeaux) in B-flat Major for Violin and Orchestra, K. 269, (261a): Rondo in B-Flat Major for Violin and Orchestra, K. 269/261a (7:21)
17. Mozart: Così fan tutte, K. 588, Act II Scene 7: I. Recit. Ei parte… senti… Ah no! (Fiordiligi) (1:43)
18. Mozart: Così fan tutte, K. 588, Act II Scene 7: II. Rondò. Per pietà, ben mio, perdona (Fiordiligi) (7:11)
From her early debut as Zerlina in Paris to her triumphant Countess at the Salzburg Festival, soprano Adriana González has embodied the spirit of Mozart's women with striking depth and grace. Now, in collaboration with conductor Iñaki Encina Oyón and the acclaimed Ensemble Diderot, she presents a dazzling exploration of Mozart and his contemporaries through the lens of historical performance.
At the heart of the album is González’s signature role, the Countess Almaviva, but the journey goes far beyond. Inspired by the 18th-century soprano Adriana Ferrarese—Mozart’s original Fiordiligi—this programme revives rare arias and rediscovered gems that showcase González’s radiant lyric voice and dramatic finesse.
Rondos for Adriana is not just a collection of arias—it's a tribute to the art of interpretation, to Mozart’s timeless genius, and to the woman who first brought his music to life.
At the heart of the album is González’s signature role, the Countess Almaviva, but the journey goes far beyond. Inspired by the 18th-century soprano Adriana Ferrarese—Mozart’s original Fiordiligi—this programme revives rare arias and rediscovered gems that showcase González’s radiant lyric voice and dramatic finesse.
Rondos for Adriana is not just a collection of arias—it's a tribute to the art of interpretation, to Mozart’s timeless genius, and to the woman who first brought his music to life.
