Duo GlossArte - Mediterranean melodies (2026) [Hi-Res]
Artist: Duo GlossArte
Title: Mediterranean melodies
Year Of Release: 2026
Label: Musikproduktion Dabringhaus und Grimm
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 67:09
Total Size: 295 / 679 MB
WebSite: Album Preview
Tracklist:Title: Mediterranean melodies
Year Of Release: 2026
Label: Musikproduktion Dabringhaus und Grimm
Genre: Classical
Quality: FLAC (tracks) / 24bit-48kHz FLAC (tracks)
Total Time: 67:09
Total Size: 295 / 679 MB
WebSite: Album Preview
1. Fontana: Sonate a 1, 2, 3 per il violino... o simile altro istromento: Sonata seconda (6:42)
2. Grandi: Motetti a voce sola: Deus canticum novum (3:38)
3. Rognoni: Selva de varii passaggi, Parte seconda: Susanna d'Orlando (5:33)
4. Fontana: Sonate a 1, 2, 3 per il violino... o simile altro istromento: Sonata prima (3:57)
5. Frescobaldi: Toccate e partite d'intavolatura di cimbalo, Libro primo: Partite sopra La Monica (7:15)
6. Arauxo: Facultad Orgánica: Todo el mundo en general (4:46)
7. Salave: Primo libro de canzoni, fantasie & correnti: Canzon prima (3:41)
8. Macque: Capriccio sopra re fa mi sol (4:14)
9. Cesare: Musicali Melodie: Canzon La Hieronyma (2:52)
10. Salave: Primo libro de canzoni, fantasie & correnti: Canzon terza (5:39)
11. Rognoni: Selva de varii passaggi, Parte seconda: Pulchra es amica mea (5:00)
12. Castello: Sonate concertate in stil moderno, Libro secondo: Sonata prima (4:49)
13. Rossi: Toccate e correnti d'intavolatura d'organo e címbalo: Toccata settima (4:05)
14. Castello: Sonate concertate in stil moderno, Libro secondo: Sonata seconda (5:04)
Precious
The silver Renaissance trombone and the ostentatious claviorganum were once glittering status symbols for Renaissance popes and Baroque princes. Duo GlossArte bring these treasures to life with a colourful journey of timbres around the Mediterranean that celebrates virtuosity as well as heartfelt emotion.
Magnificent
The bright, lyrical and contoured sound of the silver trombone is perfectly suited to virtuosic passages, from Renaissance ornamentation to Baroque stylus fantasticus. The expressive richness that Spanish historical trombone virtuoso, Juan Gonzalez Martinez explores finds an imaginative and charismatic counterpart in Swiss-born organ and harpsichord specialist Lea Suter.
Opulent
From Venice to Seville, from Naples to Toledo - Duo GlossArte trace the virtuosos of the era. Salaverde's Canzoni are characterised by rhythmic dance-like episodes and melodic twists reminiscent of Spanish folklore and its Moorish roots. Rhythm, harmony and figuration form a dramatic cycle in Frescobaldi's Partite sopra La Monica. His student, Rossi, pushes boundaries in his free fantasy Toccata settima which is full of chromaticism, surprising harmonies, and dramatic changes of mood.
Elegant
One of the earliest compositions especially for the trombone is Rognoni's Susanna d'Orlando written in 1620 which showcases all the expressive possibilities of rhetoric and ornamentation. Rognoni also skilfully expresses the instrument's lyrical qualities in Pulchra est anima mea.
The silver Renaissance trombone and the ostentatious claviorganum were once glittering status symbols for Renaissance popes and Baroque princes. Duo GlossArte bring these treasures to life with a colourful journey of timbres around the Mediterranean that celebrates virtuosity as well as heartfelt emotion.
Magnificent
The bright, lyrical and contoured sound of the silver trombone is perfectly suited to virtuosic passages, from Renaissance ornamentation to Baroque stylus fantasticus. The expressive richness that Spanish historical trombone virtuoso, Juan Gonzalez Martinez explores finds an imaginative and charismatic counterpart in Swiss-born organ and harpsichord specialist Lea Suter.
Opulent
From Venice to Seville, from Naples to Toledo - Duo GlossArte trace the virtuosos of the era. Salaverde's Canzoni are characterised by rhythmic dance-like episodes and melodic twists reminiscent of Spanish folklore and its Moorish roots. Rhythm, harmony and figuration form a dramatic cycle in Frescobaldi's Partite sopra La Monica. His student, Rossi, pushes boundaries in his free fantasy Toccata settima which is full of chromaticism, surprising harmonies, and dramatic changes of mood.
Elegant
One of the earliest compositions especially for the trombone is Rognoni's Susanna d'Orlando written in 1620 which showcases all the expressive possibilities of rhetoric and ornamentation. Rognoni also skilfully expresses the instrument's lyrical qualities in Pulchra est anima mea.
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