Marion Brown - Three for Shepp to Gesprächsfetzen Revisited (2024)

Artist: Marion Brown
Title: Three for Shepp to Gesprächsfetzen Revisited
Year Of Release: 2024
Label: ezz-thetics – ezz-thetics 1170
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 69:50
Total Size: 416 MB
WebSite: Album Preview
Tracklist:Title: Three for Shepp to Gesprächsfetzen Revisited
Year Of Release: 2024
Label: ezz-thetics – ezz-thetics 1170
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 69:50
Total Size: 416 MB
WebSite: Album Preview
1. New Blue (5:10)
2. Fortunato (8:54)
3. The Shadow Knows (3:04)
4. Spooks (4:31)
5. West India (6:23)
6. Delicado (6:42)
7. Gesprächsfetzen (14:58)
8. Exhibit A (2:53)
9. Babudah (7:28)
10. Tomorrow Is the Beginning of the End of Yesterday (3:23)
11. Aba (6:29)
Track 1-6 from album Three for Shepp (1967)
Track 7-11 from album Gesprächsfetzen (1968)
Revisited exists to enable important recordings to be hear anew following State-of-the-Art sound restoration
Brown was already defying categorisation in 1966 when he recorded Three For Shepp, whose six tracks open Three For Shepp To Gespächsfetzen Revisited. Brown’s opening “New Blues” and Shepp’s closing “Delicado,” though compelling, are relatively orthodox expressions of mid 1960s New Thing. The four tracks they bookend, however, are distinctive even today.
Brown’s exquisite “Fortunato,” though it sounds like nothing Pharoah Sanders ever wrote, inhabits similarly pretty terrain as Sanders’ astral-jazz manifesto Tauhid’s “Upper Egypt & Lower Egypt” and “Japan.” Of the Shepp tunes, “West India,” with its Caribbean flourishes and calypsonian alto solo, is a first taste of what would become an ongoing strand in Brown’s music. Chris May.
THREE FOR SHEPP
Marion Brown - (alto saxophone)
Grachan Moncur III - (trombone)
Dave Burrell - (piano on tracks 1–3)
Stanley Cowell - (piano 0n tracks 4–6)
Norris Jones (Sirone) - (double bass)
Bobby Capp - (drums on tracks 1–3)
Beaver Harris - (drums on tracks 4–6)
Brown was already defying categorisation in 1966 when he recorded Three For Shepp, whose six tracks open Three For Shepp To Gespächsfetzen Revisited. Brown’s opening “New Blues” and Shepp’s closing “Delicado,” though compelling, are relatively orthodox expressions of mid 1960s New Thing. The four tracks they bookend, however, are distinctive even today.
Brown’s exquisite “Fortunato,” though it sounds like nothing Pharoah Sanders ever wrote, inhabits similarly pretty terrain as Sanders’ astral-jazz manifesto Tauhid’s “Upper Egypt & Lower Egypt” and “Japan.” Of the Shepp tunes, “West India,” with its Caribbean flourishes and calypsonian alto solo, is a first taste of what would become an ongoing strand in Brown’s music. Chris May.
THREE FOR SHEPP
Marion Brown - (alto saxophone)
Grachan Moncur III - (trombone)
Dave Burrell - (piano on tracks 1–3)
Stanley Cowell - (piano 0n tracks 4–6)
Norris Jones (Sirone) - (double bass)
Bobby Capp - (drums on tracks 1–3)
Beaver Harris - (drums on tracks 4–6)
Download Link Isra.Cloud
Marion Brown - Three for Shepp to Gesprächsfetzen Revisited FLAC.rar - 416.7 MB
Marion Brown - Three for Shepp to Gesprächsfetzen Revisited FLAC.rar - 416.7 MB